The Borgias | Page 4

in the power and the mercy of God."
"My father," replied Lorenzo eagerly, "I feel this faith in the very depths of my heart."
"The second," said Savonarola, "is that you give back the property of others which you have unjustly confiscated and kept."
"My father, shall I have time?" asked the dying man.
"God will give it to you," replied the monk.
Lorenzo shut his eyes, as though to reflect more at his ease; then, after a moment's silence, he replied:
"Yes, my father, I will do it."
"The third," resumed Savonarola, "is that you restore to the republic her ancient independence and her former liberty."
Lorenzo sat up on his bed, shaken by a convulsive movement, and questioned with his eyes the eyes of the Dominican, as though he would find out if he had deceived himself and not heard aright. Savonarola repeated the same words.
"Never! never!" exclaimed Lorenzo, falling back on his bed and shaking his head,--"never!"
The monk, without replying a single word, made a step to withdraw.
"My father, my father," said the dying man, "do not leave me thus: have pity on me!"
"Have pity on Florence," said the monk.
"But, my father," cried Lorenzo, "Florence is free, Florence is happy."
"Florence is a slave, Florence is poor," cried Savonarola, "poor in genius, poor in money, and poor in courage; poor in genius, because after you, Lorenzo, will come your son Piero; poor in money, because from the funds of the republic you have kept up the magnificence of your family and the credit of your business houses; poor in courage, because you have robbed the rightful magistrates of the authority which was constitutionally theirs, and diverted the citizens from the double path of military and civil life, wherein, before they were enervated by your luxuries, they had displayed the virtues of the ancients; and therefore, when the day shall dawn which is not far distant," continued the mark, his eyes fixed and glowing as if he were reading in the future, "whereon the barbarians shall descend from the mountains, the walls of our towns, like those of Jericho, shall fall at the blast of their trumpets."
"And do you desire that I should yield up on my deathbed the power that has made the glory of my whole life?" cried Lorenzo dei Medici.
"It is not I who desire it; it is the Lord," replied Savonarola coldly.
"Impossible, impossible!" murmured Lorenzo.
"Very well; then die as you have lived!" cried the monk, "in the midst of your courtiers and flatterers; let them ruin your soul as they have ruined your body!" And at these words, the austere Dominican, without listening to the cries of the dying man, left the room as he had entered it, with face and step unaltered; far above human things he seemed to soar, a spirit already detached from the earth.
At the cry which broke from Lorenzo dei Medici when he saw him disappear, Ermolao, Poliziano, and Pico delta Mirandola, who had heard all, returned into the room, and found their friend convulsively clutching in his arms a magnificent crucifix which he had just taken dawn from the bed-head. In vain did they try to reassure him with friendly words. Lorenzo the Magnificent only replied with sobs; and one hour after the scene which we have just related, his lips clinging to the feet of the Christ, he breathed his last in the arms of these three men, of whom the most fortunate-- though all three were young--was not destined to survive him more than two years. "Since his death was to bring about many calamities," says Niccolo Macchiavelli, "it was the will of Heaven to show this by omens only too certain: the dome of the church of Santa Regarata was struck by lightning, and Roderigo Borgia was elected pope."


CHAPTER I
Towards the end of the fifteenth century--that is to say, at the epoch when our history opens the Piazza of St. Peter's at Rome was far from presenting so noble an aspect as that which is offered in our own day to anyone who approaches it by the Piazza dei Rusticucci.
In fact, the Basilica of Constantine existed no longer, while that of Michael Angelo, the masterpiece of thirty popes, which cost the labour of three centuries and the expense of two hundred and sixty millions, existed not yet. The ancient edifice, which had lasted for eleven hundred and forty-five years, had been threatening to fall in about 1440, and Nicholas V, artistic forerunner of Julius II and Leo X, had had it pulled down, together with the temple of Probus Anicius which adjoined it. In their place he had had the foundations of a new temple laid by the architects Rossellini and Battista Alberti; but some years later, after the death of Nicholas V, Paul II, the Venetian, had not been able to give more