The Bomb | Page 4

were found in Lingg's cell. After that neither she nor Mr. and Mrs. Stein were admitted. While it has never been satisfactorily proven who it was that introduced the bombs into the jail, it is likely that they were smuggled into Lingg's hands by his sweetheart. She enjoyed Lingg's fullest confidence, and obeyed his every wish.
"It is not known whether Miller is the real name of the girl, but it is supposed to be Elise Friedel. She is a German, and was twenty-two years of age at the time, her birthplace being Mannheim, which was also Lingg's native town. She was tall, well-made, with fair complexion, and dark eyes and hair."
Here ends the police account so far as it concerns us or throws light on the characters of The Bomb. It is informative and fairly truthful but plainly inspired by illiterate and brainless prejudice. Still it proves that in my story I have kept closely to the facts.

FRANK HARRIS.
Chapter I
"Hold the high way and let thy spirit thee lead And Truth shal thee deliver, it is no drede."
MY NAME is Rudolph Schnaubelt. I threw the bomb which killed eight policemen and wounded sixty in Chicago in 1886. Now I lie here in Reichholz, Bavaria, dying of consumption under a false name, in peace at last.
But it is not about myself I want to write: I am finished. I got chilled to the heart last winter, and grew steadily worse in those hateful, broad, white Muenchener streets which are baked by the sun and swept by the icy air from the Alps. Nature or man will soon deal with my refuse as they please.
But there is one thing I must do before I go out, one thing I have promised to do. I must tell the story of the man who spread terror through America, the greatest man that ever lived, I think; a born rebel, murderer and martyr. If I can give a fair portrait of Louis Lingg, the Chicago Anarchist, as I knew him, show the body and soul and mighty purpose of him, I shall have done more for men than when I threw the bomb. . . .
How am I to tell the story? Is it possible to paint a great man of action in words; show his cool calculation of forces, his unerring judgment, and the tiger spring? The best thing I can do is to begin at the beginning, and tell the tale quite simply and sincerely. "Truth," Lingg said to me once, "is the skeleton, so to speak, of all great works of art." Besides, memory is in itself an artist. It all happened long ago, and in time one forgets the trivial and remembers the important.
It should be easy enough for me to paint this one man's portrait. I don't mean that I am much of a writer; but I have read some of the great writers, and know how they picture a man, and any weakness of mine is more than made up for by the best model a writer ever had. God! if he could come in here now and look at me with those eyes of his, and hold out his hands, I'd rise from this bed and be well again; shake off the cough and sweat and deadly weakness, shake off anything. He had vitality enough in him to bring the dead to life, passion enough for a hundred men. . . .
I learned so much from him, so much; even more, strange to say, since I lost him than when I was with him. In these lonely latter months I have read a good deal, thought a good deal; and all my reading has been illumined by sayings of his which suddenly come back to my mind, and make the dark ways plain. I have often wondered why I did not appreciate this phrase or that when he used it. But memory treasured it up, and when the time was ripe, or rather, when I was ripe for it, I recalled it, and realized its significance; he is the spring of all my growth.
The worst of it is that I shall have to talk about myself at first, and my early life, and that will not be interesting; but I can't help it, for after all I am the mirror in which the reader must see Lingg, and I want him to feel pretty certain that the mirror is clean at least, and does not distort truth, or disfigure it.
I was born near Munich, in a little village called Lindau. My father was an Oberfoerster, a chief in the forestry department. My mother died early. I was brought up healthily enough in the hard way of the German highlands. At six I went to the village school. Because