The Black Bag
The Project Gutenberg EBook of The Black Bag, by Louis Joseph Vance #3 in our series by Louis Joseph Vance
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: The Black Bag
Author: Louis Joseph Vance
Release Date: January, 2006 [EBook #9779] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 15, 2003]
Edition: 10
Language: English
Character set encoding: ISO-8859-1
*** START OF THE PROJECT GUTENBERG EBOOK THE BLACK BAG ***
Produced by Suzanne Shell, Leonard Johnson and PG Distributed Proofreading.
THE BLACK BAG
By LOUIS JOSEPH VANCE
WITH ILLUSTRATIONS BY THOMAS FOGARTY
1908
TO MY MOTHER
CONTENTS
CHAPTER
I.
DIVERSIONS OF A RUINED GENTLEMAN
II. "AND SOME THERE BE WHO HAVE ADVENTURES THRUST UPON THEM"
III. CALENDAR'S DAUGHTER
IV. 9 FROGNALL STREET, W. C.
V. THE MYSTERY OF A FOUR-WHEELER
VI. "BELOW BRIDGE"
VII. DIVERSIONS OF A RUINED GENTLEMAN--RESUMED
VIII. MADAME L'INTRIGANTE
IX. AGAIN "BELOW BRIDGE"; AND BEYOND
X. DESPERATE MEASURES
XI. OFF THE NORE
XII. PICARESQUE PASSAGES
XIII. A PRIMER OF PROGRESSIVE CRIME
XIV. STRATAGEMS AND SPOILS
XV. REFUGEES
XVI. TRAVELS WITH A CHAPERON
XVII. ROGUES AND VAGABONDS
XVIII. ADVENTURERS' LUCK
XIX. i--THE UXBRIDGE ROAD
ii--THE CROWN AND MITRE
iii--THE JOURNEY'S END
THE BLACK BAG
I
DIVERSIONS OF A RUINED GENTLEMAN
Upon a certain dreary April afternoon in the year of grace, 1906, the apprehensions of Philip Kirkwood, Esquire, _Artist-peintre_, were enlivened by the discovery that he was occupying that singularly distressing social position, which may be summed up succinctly in a phrase through long usage grown proverbial: "Alone in London." These three words have come to connote in our understanding so much of human misery, that to Mr. Kirkwood they seemed to epitomize absolutely, if not happily, the various circumstances attendant upon the predicament wherein he found himself. Inevitably an extremist, because of his youth, (he had just turned twenty-five), he took no count of mitigating matters, and would hotly have resented the suggestion that his case was anything but altogether deplorable and forlorn.
That he was not actually at the end of his resources went for nothing; he held the distinction a quibble, mockingly immaterial,--like the store of guineas in his pocket, too insignificant for mention when contrasted with his needs. And his base of supplies, the American city of his nativity, whence--and not without a glow of pride in his secret heart--he was wont to register at foreign hostelries, had been arbitrarily cut off from him by one of those accidents sardonically classified by insurance and express corporations as Acts of God.
Now to one who has lived all his days serenely in accord with the dictates of his own sweet will, taking no thought for the morrow, such a situation naturally seems both appalling and intolerable, at the first blush. It must be confessed that, to begin with, Kirkwood drew a long and disconsolate face over his fix. And in that black hour, primitive of its kind in his brief span, he became conscious of a sinister apparition taking shape at his elbow--a shade of darkness which, clouting him on the back with a skeleton hand, croaked hollow salutations in his ear.
"Come, Mr. Kirkwood, come!" its mirthless accents rallied him. "Have you no welcome for me?--you, who have been permitted to live the quarter of a century without making my acquaintance? Surely, now, it's high time we were learning something of one another, you and I!" "But I don't understand," returned Kirkwood blankly. "I don't know you--"
"True! But you shall: I am the Shade of Care--"
"Dull Care!" murmured Kirkwood, bewildered and dismayed; for the visitation had come upon him with little presage and no invitation whatever.
"Dull Care," the Shade assured him. "Dull Care am I--and Care that's anything but dull, into the bargain: Care that's like a keen pain in your body, Care that lives a horror in your mind, Care that darkens your days and flavors with bitter poison all your nights, Care that--"
But Kirkwood would not listen further. Courageously submissive to his destiny, knowing in his heart that the Shade had come to stay, he yet found spirit to shake himself with a dogged air, to lift his chin, set the strong muscles of his jaw, and smile that homely wholesome smile which was his
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.