The Bibliotaph | Page 5

Leon H. Vincent
hear him talk about city life. One of his quaint mannerisms consisted in modifying a well-known quotation to suit his conversational needs. 'Why, sir,' he would remark, 'Fleet Street has a very animated appearance, but I think the full tide of human existence is at the corner of Madison and State.'
His knowledge of cities was both extensive and peculiar. I have heard him name in order all the hotels on Broadway, beginning at the lower end and coming up as far as hotels exist, branching off upon the parallel and cross streets where there were noted caravansaries, and connecting every name with an event of importance, or with the life and fortunes of some noted man who had been guest at that particular inn. This was knowledge more becoming in a guide, perhaps, but it will illustrate the encyclop?dic fullness of his miscellaneous information.
As was natural and becoming in a man born within forty miles of the metropolis, he liked best the large cities of the East, and was least content in small Western cities. But this was the outcome of no illiberal prejudice, and there was a quizzical smile upon his lips and a teasing look in his eyes when he bantered a Westerner. 'A man,' he would sometimes say, 'may come by the mystery of childbirth into Omaha or Kansas City and be content, but he can't come by Boston, New York, or Philadelphia.' Then, a moment later, paraphrasing his remark, he would add, 'To go to Omaha or Kansas City by way of New York and Philadelphia is like being translated heavenward with such violence that one passes through--into a less comfortable region!'
Strange to say, the conversation of this most omnivorous of book-collectors was less of books than of men. True, he was deeply versed in bibliographical details and dangerously accurate in his talk about them, but, after all, the personality back of the book was the supremely interesting thing. He abounded in anecdote, and could describe graphically the men he had met, the orators he had heard, the occasions of importance where he had been an interested spectator. His conversation was delightfully fresh and racy because of the vividness of the original impressions, the unusual force of the ideas which were the copies of these impressions, and the fine artistic sense which enabled him to determine at once what points should be omitted, and what words should be used most fittingly to express the ideas retained.
He had no pride in his conversational power. He was always modest, but never diffident. I have seen him sit, a respectful listener, absolutely silent, while some ordinary chatterer held the company's attention for an hour. Many good talkers are unhappy unless they have the privilege of exercising their gifts. Not so he. Sometimes he had almost to be compelled to begin. On such occasions one of his intimates was wont to quote from Boswell: 'Leave him to me, sir; I'll make him rear.'
The superficial parts of his talk were more easily retained. In mere banter, good-humored give-and-take, that froth and bubble of conversational intercourse, he was delightful. His hostess, the wife of a well-known comedian, apologized to him for having to move him out of the large guest-chamber into another one, smaller and higher up,--this because of an unexpected accession of visitors. He replied that it did not incommode him; and as for being up another flight of stairs, 'it was a comfort to him to know that when he was in a state of somnolent helplessness he was as near heaven as it was possible to get in an actor's house.' The same lady was taking him roundly to task on some minor point in which he had quite justly offended her; whereupon he turned to her husband and said, 'Jane worships but little at the shrine of politeness because so much of her time is mortgaged to the shrine of truth.'
When asked to suggest an appropriate and brief cablegram to be sent to a gentleman who on the following day would become sixty years of age, and who had taken full measure of life's joys, he responded, 'Send him this: "You don't look it, but you've lived like it."'
His skill in witty retort often expressed itself by accepting a verbal attack as justified, and elaborating it in a way to throw into shadow the assault of the critic. At a small and familiar supper of bookish men, when there was general dissatisfaction over an expensive but ill-made salad, he alone ate with apparent relish. The host, who was of like mind with his guests, said, 'The Bibliotaph doesn't care for the quality of his food, if it has filling power.' To which he at once responded, 'You merely imply that I am like a robin: I eat cherries
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