1919
NOTE.--The order in which the stories in this volume are printed is not intended as an indication of their comparative excellence; the arrangement is alphabetical by authors.
THE KITCHEN GODS[2]
[Note 2: Copyright, 1919, by The Century Company. Copyright, 1920, by Gulielma Fell Alsop.]
BY GULIELMA FELL ALSOP
From The Century
The lilies bloomed that day. Out in the courtyard, in their fantastic green-dragoned pots, one by one the tiny, ethereal petals opened. Dong-Yung went rapturously among them, stooping low to inhale their faint fragrance. The square courtyard, guarded on three sides by the wings of the house, facing the windowless blank wall on the fourth, was mottled with sunlight. Just this side of the wall a black shadow, as straight and opaque as the wall itself, banded the court with darkness; but on the hither side, where the lilies bloomed and Dong-Yung moved among them, lay glittering, yellow sunlight. The little box of a house where the gate-keeper lived made a bulge in the uniform blackness of the wall and its shadow. The two tall poles, with the upturned baskets, the devil-catchers, rose like flagstaffs from both sides of the door. A huge china griffon stood at the right of the gate. From beyond the wall came the sounds of early morning--the click of wooden sandals on cobbled streets and the panting cries of the coolies bringing in fresh vegetables or carrying back to the denuded land the refuse of the city. The gate-keeper was awake, brushing out his house with a broom of twigs. He was quite bald, and the top of his head was as tanned and brown as the legs of small summer children.
"Good morning, Honorable One," he called. "It is a good omen. The lilies have opened."
An amah, blue-trousered, blue-jacketed, blue-aproned, cluttered across the courtyard with two pails of steaming water.
"Good morning, Honorable One. The water for the great wife is hot and heavy." She dropped her buckets, the water splashing over in runnels and puddles at her feet, and stooped to smell the lilies. "It is an auspicious day."
From the casement-window in the right balcony a voice called:
"Thou dunce! Here I am waiting already half the day. Quicker! quicker!"
It sounded elderly and querulous, a voice accustomed to be obeyed and to dominate. The great wife's face appeared a moment at the casement. Her eyes swept over the courtyard scene--over the blooming lilies, and Dong-Yung standing among them.
"Behold the small wife, cursed of the gods!" she cried in her high, shrill voice. "Not even a girl can she bear her master. May she eat bitterness all her days!"
The amah shouldered the steaming buckets and splashed across the bare boards of the ancestral hall beyond.
"The great wife is angry," murmured the gate-keeper. "Oh, Honorable One, shall I admit the flower-girl? She has fresh orchids."
Dong-Yung nodded. The flower-girl came slowly in under the guarded gateway. She was a country child, with brown cheeks and merry eyes. Her shallow basket was steadied by a ribbon over one shoulder, and caught between an arm and a swaying hip. In the flat, round basket, on green little leaves, lay the wired perfumed orchids.
"How many? It is an auspicious day. See, the lilies have bloomed. One for the hair and two for the buttonholes. They smell sweet as the breath of heaven itself."
Dong-Yung smiled as the flower-girl stuck one of the fragrant, fragile, green-striped orchids in her hair, and hung two others, caught on delicate loops of wire, on the jade studs of her jacket, buttoned on the right shoulder.
"Ah, you are beautiful-come-death!" said the flower-girl. "Great happiness be thine!"
"Even a small wife can be happy at times." Dong-Yung took out a little woven purse, and paid over two coppers apiece to the flower-girl.
At the gate the girl and the gate-keeper fell a-talking.
"Is the morning rice ready?" called a man's voice from the room behind.
Dong-Yung turned quickly. Her whole face changed. It had been smiling and pleased before at the sight of the faint, white lily-petals and the sunlight on her feet and the fragrance of the orchids in her hair; but now it was lit with an inner radiance.
"My beloved Master!" Dong-Yung made a little instinctive gesture toward the approaching man, which in a second was caught and curbed by Chinese etiquette. Dressed, as she was, in pale-gray satin trousers, loose, and banded at the knee with wide blue stripes, and with a soft jacket to match, she was as beautiful in the eyes of the approaching man as the newly opened lilies. What he was in her eyes it would be hard for any modern woman to grasp: that rapture of adoration, that bliss of worship, has lingered only in rare hearts and rarer spots on the earth's surface.
Foh-Kyung came out slowly through the ancestral hall. The sunlight edged it like a bright border.
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