The Banquet | Page 4

Dante Alighieri
Every man weights the scales against his own wrong-doing, and adds weight to his good deeds; so that the number and the quantity and the weight of the good deeds appear to him to be greater than if they were tried in a just balance; and in like manner the evil appears less. Wherefore speaking of himself with praise or with blame, either he speaks falsely with regard to the thing of which he speaks, or he speaks falsely by the fault of his judgment; and as the one is untruth, so is the other. And therefore, since to acquiesce is to admit, he is wrong who praises or who blames before the face of any man; because the man thus appraised can neither acquiesce nor deny without falling into the error of either praising or blaming himself. Reserve the way of due correction, which cannot be taken without reproof of error, and which corrects if understood. Reserve also the way of due honour and glory, which cannot be taken without mention of virtuous works, or of dignities that have been worthily acquired.
And in truth, returning to the main argument, I say, as before, that it is permitted to a man for requisite reasons to speak of himself. And amongst the several requisite reasons two are most evident: the one is when a man cannot avoid great danger and infamy, unless he discourse of himself; and then it is conceded for the reason, that to take the less objectionable of the only two paths, is to take as it were a good one. And this necessity moved Boethius to speak of himself, in order that under pretext of Consolation he might excuse the perpetual shame of his imprisonment, by showing that imprisonment to be unjust; since no other man arose to justify him. And this reason moved St. Augustine to speak of himself in his Confessions; that, by the progress of his life, which was from bad to good, and from good to better, and from better to best, he might give example and instruction, which, from truer testimony, no one could receive. Therefore, if either of these reasons excuse me, the bread of my moulding is sufficiently cleared from its first impurity.
The fear of shame moves me; and I am moved by the desire to give instruction which others truly are unable to give. I fear shame for having followed passion so ardently, as he may conceive who reads the afore-named Songs, and sees how greatly I was ruled by it; which shame ceases entirely by the present speech of myself, which proves that not passion but virtue may have been the moving cause.
I intend also to demonstrate the true meaning of those Poems, which some could not perceive unless I relate it, because it is concealed under the veil of Allegory; and this it not only will give pleasure to hear, but subtle instruction, both as to the diction and as to the intention of the other writings.


CHAPTER III.
Much fault is in that thing which is appointed to remove some grave evil, and yet encourages it; even as in the man who might be sent to quell a tumult, and, before he had quelled it, should begin another.
And forasmuch as my bread is made clean on one side, it behoves me to cleanse it on the other, in order to shun this reproof: that my writing, which one may term, as it were, a Commentary, is appointed to remove obscurity from the before-mentioned Songs, and is, in fact, itself at times a little hard to understand. This obscurity is here intended, in order to avoid a greater defect, and does not occur through ignorance. Alas! would that it might have pleased the Dispenser of the Universe that the cause of my excuse might never have been; that others might neither have sinned against me, nor I have suffered punishment unjustly; the punishment, I say, of exile and poverty! Since it was the pleasure of the citizens of the most beautiful and the most famous daughter of Rome, Florence, to cast me out from her most sweet bosom (wherein I was born and nourished even to the height of my life, and in which, with her goodwill, I desire with all my heart to repose my weary soul, and to end the time which is given to me), I have gone through almost all the land in which this language lives--a pilgrim, almost a mendicant--showing forth against my will the wound of Fortune, with which the ruined man is often unjustly reproached. Truly I have been a ship without a sail and without a rudder, borne to divers ports and lands and shores by the dry wind which blows from doleful poverty; and I have appeared vile in the
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