The Ball at Sceaux | Page 9

Honoré de Balzac
than she how to assume an air of reserve when a man of talent was introduced to her, or how to display the insulting politeness which treats an equal as an inferior, and to pour out her impertinence on all who tried to hold their heads on a level with hers. Wherever she went she seemed to be accepting homage rather than compliments, and even in a princess her airs and manner would have transformed the chair on which she sat into an imperial throne.
Monsieur de Fontaine discovered too late how utterly the education of the daughter he loved had been ruined by the tender devotion of the whole family. The admiration which the world is at first ready to bestow on a young girl, but for which, sooner or later, it takes its revenge, had added to Emilie's pride, and increased her self- confidence. Universal subservience had developed in her the selfishness natural to spoilt children, who, like kings, make a plaything of everything that comes to hand. As yet the graces of youth and the charms of talent hid these faults from every eye; faults all the more odious in a woman, since she can only please by self- sacrifice and unselfishness; but nothing escapes the eye of a good father, and Monsieur de Fontaine often tried to explain to his daughter the more important pages of the mysterious book of life. Vain effort! He had to lament his daughter's capricious indocility and ironical shrewdness too often to persevere in a task so difficult as that of correcting an ill-disposed nature. He contented himself with giving her from time to time some gentle and kind advice; but he had the sorrow of seeing his tenderest words slide from his daughter's heart as if it were of marble. A father's eyes are slow to be unsealed, and it needed more than one experience before the old Royalist perceived that his daughter's rare caresses were bestowed on him with an air of condescension. She was like young children, who seem to say to their mother, "Make haste to kiss me, that I may go to play." In short, Emilie vouchsafed to be fond of her parents. But often, by those sudden whims, which seem inexplicable in young girls, she kept aloof and scarcely ever appeared; she complained of having to share her father's and mother's heart with too many people; she was jealous of every one, even of her brothers and sisters. Then, after creating a desert about her, the strange girl accused all nature of her unreal solitude and her wilful griefs. Strong in the experience of her twenty years, she blamed fate, because, not knowing that the mainspring of happiness is in ourselves, she demanded it of the circumstances of life. She would have fled to the ends of the earth to escape a marriage such as those of her two sisters, and nevertheless her heart was full of horrible jealousy at seeing them married, rich, and happy. In short, she sometimes led her mother--who was as much a victim to her vagaries as Monsieur de Fontaine--to suspect that she had a touch of madness.
But such aberrations are quite inexplicable; nothing is commoner than this unconfessed pride developed in the heart of young girls belonging to families high in the social scale, and gifted by nature with great beauty. They are almost all convinced that their mothers, now forty or fifty years of age, can neither sympathize with their young souls, nor conceive of their imaginings. They fancy that most mothers, jealous of their girls, want to dress them in their own way with the premeditated purpose of eclipsing them or robbing them of admiration. Hence, often, secret tears and dumb revolt against supposed tyranny. In the midst of these woes, which become very real though built on an imaginary basis, they have also a mania for composing a scheme of life, while casting for themselves a brilliant horoscope; their magic consists in taking their dreams for reality; secretly, in their long meditations, they resolve to give their heart and hand to none but the man possessing this or the other qualification; and they paint in fancy a model to which, whether or no, the future lover must correspond. After some little experience of life, and the serious reflections that come with years, by dint of seeing the world and its prosaic round, by dint of observing unhappy examples, the brilliant hues of their ideal are extinguished. Then, one fine day, in the course of events, they are quite astonished to find themselves happy without the nuptial poetry of their day-dreams. It was on the strength of that poetry that Mademoiselle Emilie de Fontaine, in her slender wisdom, had drawn up a programme to which a suitor must
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