handed me my books: "Say, you know my big red agate? I can't shoot with it any more. I'm going to bring it to school for you tomorrow." I took my books and ran into the house. As I passed through the hallway, I saw that my mother was busy with one of her customers; I rushed up into my own little room, shut the door, and went quickly to where my looking-glass hung on the wall. For an instant I was afraid to look, but when I did, I looked long and earnestly. I had often heard people say to my mother: "What a pretty boy you have!" I was accustomed to hear remarks about my beauty; but now, for the first time, I became conscious of it and recognized it. I noticed the ivory whiteness of my skin, the beauty of my mouth, the size and liquid darkness of my eyes, and how the long, black lashes that fringed and shaded them produced an effect that was strangely fascinating even to me. I noticed the softness and glossiness of my dark hair that fell in waves over my temples, making my forehead appear whiter than it really was. How long I stood there gazing at my image I do not know. When I came out and reached the head of the stairs, I heard the lady who had been with my mother going out. I ran downstairs and rushed to where my mother was sitting, with a piece of work in her hands. I buried my head in her lap and blurted out: "Mother, mother, tell me, am I a nigger?" I could not see her face, but I knew the piece of work dropped to the floor and I felt her hands on my head. I looked up into her face and repeated: "Tell me, mother, am I a nigger?" There were tears in her eyes and I could see that she was suffering for me. And then it was that I looked at her critically for the first time. I had thought of her in a childish way only as the most beautiful woman in the world; now I looked at her searching for defects. I could see that her skin was almost brown, that her hair was not so soft as mine, and that she did differ in some way from the other ladies who came to the house; yet, even so, I could see that she was very beautiful, more beautiful than any of them. She must have felt that I was examining her, for she hid her face in my hair and said with difficulty: "No, my darling, you are not a nigger." She went on: "You are as good as anybody; if anyone calls you a nigger, don't notice them." But the more she talked, the less was I reassured, and I stopped her by asking: "Well, mother, am I white? Are you white?" She answered tremblingly: "No, I am not white, but you--your father is one of the greatest men in the country--the best blood of the South is in you--" This suddenly opened up in my heart a fresh chasm of misgiving and fear, and I almost fiercely demanded: "Who is my father? Where is he?" She stroked my hair and said: "I'll tell you about him some day." I sobbed: "I want to know now." She answered: "No, not now."
Perhaps it had to be done, but I have never forgiven the woman who did it so cruelly. It may be that she never knew that she gave me a sword-thrust that day in school which was years in healing.
II
Since I have grown older I have often gone back and tried to analyze the change that came into my life after that fateful day in school. There did come a radical change, and, young as I was, I felt fully conscious of it, though I did not fully comprehend it. Like my first spanking, it is one of the few incidents in my life that I can remember clearly. In the life of everyone there is a limited number of unhappy experiences which are not written upon the memory, but stamped there with a die; and in long years after, they can be called up in detail, and every emotion that was stirred by them can be lived through anew; these are the tragedies of life. We may grow to include some of them among the trivial incidents of childhood--a broken toy, a promise made to us which was not kept, a harsh, heart-piercing word--but these, too, as well as the bitter experiences and disappointments of mature years, are the tragedies of life.
And so I have often lived through that hour, that day, that week, in which was wrought the
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