The Auction Block | Page 8

a great help to the family, for he keeps 'em from getting too proud over Lorelei. He sells introductions to his sister."
Campbell Pope's exclamation was lost in a babble of voices as a bevy of "Swimming Girls" descended from the enchanted regions above and scurried out upon the stage. Through the double curtain the orchestra could be faintly heard; a voice was crying, "Places."
"Some Soul Kissers with this troupe, eh?" remarked Slosson, when the scampering figures had disappeared.
"Yes. Bergman has made a fortune out of this kind of show. He's a friend to the 'Tired Business Man.'"
"Speaking of the weary Wall Street workers, there will be a dozen of our ribbon-winners at that Hammon supper to-night. Twelve 'Bergman Beauties.' Twelve; count 'em! Any time you want to pull off a classy party for some of your bachelor friends let me know, and I'll supply the dames--at one hundred dollars a head--and guarantee their manners. They're all trained to terrapin, and know how to pick the proper forks."
"One hundred? Last season a girl was lucky to get fifty dollars as a banquet favor; but the cost of living rises nightly. No wonder Hammon's against the income tax."
"Yes, and that's exclusive of the regulation favors. There's a good story in this party if you could get the men's names."
Pope's thin lip curled, and he shook his head.
"I write theatrical stuff," he said, shortly, "because I have to, not because I like to. I try to keep it reasonably clean."
Slosson was instantly apologetic. "Oh, I don't mean there's anything wrong about this affair. Hammon is entertaining a crowd of other steel men, and a stag supper is either dull or devilish, so he has invited a good-looking partner for each male guest. It 'll be thoroughly refined, and it's being done every night."
"I know it is. Tell me, is Lorelei Knight a regular--er-- frequenter of these affairs?"
"Sure. It's part of the graft."
"I see."
"She has to piece out her salary like the other girls. Why, her whole family is around her neck--mother, brother, and father. Old man Knight was run over by a taxi-cab last summer. It didn't hurt the machine, but he's got a broken back, or something. Too bad it wasn't brother Jimmy. You must meet him, by the way. I never heard of Lorelei's doing anything really--bad."
For the moment Campbell Pope made no reply. Meanwhile a great wave of singing flooded the regions at the back of the theater as the curtain rose and the chorus broke into sudden sound. When he did speak it was with unusual bitterness.
"It's the rottenest business in the world, Slosson. Two years ago she was a country girl; now she's a Broadway belle. How long will she last, d'you think?"
"She's too beautiful to last long," agreed the press-agent, soberly, "especially now that the wolves are on her trail. But her danger isn't so much from the people she meets with as the people she eats with. That family of hers would drive any girl to the limit. They intend to cash in on her; the mother says so."
"And they will, too. She can have her choice of the wealthy rounders."
"Don't get me wrong," Slosson hastened to qualify. "She's square; understand?"
"Of course; 'object, matrimony.' It's the old story, and her mother will see to the ring and the orange blossoms. But what's the difference, after all, Slosson? It 'll be hell for her, and a sale to the highest bidder, either way."
"Queer little gink," the press-agent reflected, as he returned to the front of the house. "I wish he wore stiff collars; I'd like to take him home for dinner."
As Pope passed out through the stage door the Judge called hoarsely after him:
"You'll keep your eye skinned for a job for Lottie, won't you? Remember, the swellest legs in burlesque."

CHAPTER III
In his summary of Lorelei's present life Slosson had not been far wrong. Many changes had come to the Knights during the past two years--changes of habit, of thought, and of outlook; the entire family had found it necessary to alter their system of living. But it was in the girl that the changes showed most. When Mrs. Knight had forecast an immediate success for her daughter she had spoken with the wisdom of a Cassandra. Bergman had taken one look at Lorelei upon their first meeting, then his glance had quickened. She had proved to have at least an average singing-voice; her figure needed no comment. Her inexperience had been the strongest argument in her favor, since Bergman's shows were famous for their new faces. The result was that he signed her promptly, and mother and daughter had walked out of his office quite unconscious of having accomplished the unusual. At first the city had seemed strange and bewildering, and Lorelei had suffered pangs at