The Atlantic Monthly | Page 8

is unassailed. His adversary does not see where he is, but attacks a man of straw, some figment of his own, to the amusement of intelligent spectators. Always our combatant is talking quite wide of the whole question. So the wise man can never have an opponent; for whoever is able to face and find him has already gone over to his side. By material defences, we shut our light for a little, by going where only our own views are repeated, and so boxing ourselves from all danger of conviction; but if a strong thinker could gain the mere brute advantage of having an audience confined in their seats to hear him out, he would carry them all inevitably to his conclusion. They know it and run away. But the press has made our whole world of civilization one great lecture-room, from which no reading man can escape, and the only defence against progress is stolid preoccupation with trade or trifles. Yet this persistency is holding the breath, and can no more be continued in the mind than that in the body. Blundering and falsehood become intolerable to the blunderers; they must return to thought, and that is proper in a single direction, is approached by ten thousand avenues toward the One. It is religious, not ignorance or dogma. We cannot think without exploration of the divine order and recognition of its divinity, without finding ourselves carried away by it to service and adoration. All good is assured to us in Truth, and Truth follows us hard, drives us into many a corner, and will have us at last. So Love surprises all, and every virtue has a pass-key to every heart. Out of conflicting experience, amid barbarism and dogmatism, from feathers that float and stones that fall, we deduce the great law of moral gravitation, which binds spirit to spirit, and all souls to the best. Recognition of that law is worship. We rejoice in it without a taint of selfishness. We adore it with entire satisfaction. Worship is neither belief nor hope, but this certainty of repose upon Perfection. We explore over our heads and under our feet a harmony that is only enriched by dissolving discords. The drag of time, the cramp of organization, are only false fifths. It is blasphemy to deny the dominant. We cannot escape our good; we shall be purified. When our destiny is thus assured to us, we become impatient of sleep and sin, and redouble exertion. We devote ourselves to this certainty, and our allegiance is religion. There is nothing in man omitted from the uplift of Ideality. That is a central and total expansion of him, is an inmost entering into his inmost, is more himself than he is himself. All reverence is directed toward this Creator revealed in flesh, though not compassed. We adore him in others, while yet we despise him in ourselves. Every other motion of man has an external centre, is some hunger or passion, acts on us from its seat in Nature or the body, and we can face it, deny and repudiate it with the body; but this is the man flowing down from his source.
We must not be tempted to call things by too fine names, lest we should disguise them. All that is great is plain and familiar. The Ideal Tendency is simple love of life, felt first as desire and then as satisfaction. The men who represent it are not seekers, but finders, who go on to find more and more; for in the poet desire has fulfilled itself. Enjoyment makes the artist. He has gone on before us, reaching into the abyss of possibility; but he has reached more mightily. He begins to know what is promised in the universal attraction, in this eager turning of all faces toward our future. There is a centre from which no eye can be diverted, for it is the beam of sight. Look which way you will, that centre is everywhere. The universe is flooded with a ray from it, and the light of common day on every object is a refraction or reflection of that brightness.
Shallow men think of Ideality as another appetite, to be fed with pretty baubles, as the body is satisfied with meat and sleep; but the representative of that august impulse feels in it his immortality, and by all his lovely allegories, mythologies, fables, pictures, statues, manners, songs, and symphonies, he seeks to communicate his own feeling, that by specific gravity man must rise. It is no wonder, then, that we love Art while it offers us reinforcement of being, and despise the pretenders, for whom it is pastime, not prophecy.
For, in spite of all discouragement from the materialists, men stultified by trade or tradition, we have