an old-fashioned house, of modest exterior, and had an air of being elbowed into the background by the smarter and more modern domiciles on each side of it. Its steep, overhanging roof and porched doorway gave it a sleepy, reposeful look, as though it were watching the on-goings of the little town through half-closed lids, and taking small cognizance thereof.
Entering from the street through a little wooden gateway of a bright green colour, a narrow pathway, paved with round pebbles that were very trying to people with tender feet, conducted you to the front door, on which shone a brass plate of surpassing brightness, whereon was inscribed:--
___________________________________ | | | MR. SOLOMON MADGIN. | | General Agent, | | _Valuer, &c._ | |_________________________________|
The house was a double-fronted one. On one side of the passage as you went in was the office; on the other side was the family sitting-room. Not that Mr. Madgin's family was a large one. It consisted merely of himself, his daughter Mirpah, and one strong servant-girl with an unlimited capacity for hard work. Mirpah Madgin deserves some notice at our hands.
She was a tall, superb-looking young woman of two-and-twenty, and bore not the slightest resemblance in person, whatever she might do in mind or disposition, to that sly old fox her father. Mirpah's mother had been of Jewish extraction, and in Mirpah's face you read the unmistakable signs of that grand style of beauty which is everywhere associated with the downtrodden race. She moved about the little house in her inexpensive prints and muslins like a discrowned queen. That she had reached the age of two-and-twenty without having been in love was no source of surprise to those who knew her; for Mirpah Madgin hardly looked like a girl who would marry a poor clerk or a petty tradesman, or who could ever sink into the commonplace drudge of a hand-to-mouth household. She looked like a girl who would some day be claimed by a veritable hero of romance--by some Ivanhoe of modern life, well endowed with this world's goods--who would wed her, and ride away with her to the fairy realms of Tyburnia and Rotten Row.
And yet, truth to tell, the thread of romance inwoven with the composition of Mirpah Madgin was a very slender one. In so far she belied her own beauty. For a young woman she was strangely practical, and that in a curiously unfeminine way. She was her father's managing clerk and alter ego. The housewifely acts of sewing and cooking she held in utter distaste. For domestic management in any of its forms she had no faculty, unless it were for that portion of it which necessitated a watchful eye upon the purse-strings. Such an eye she had been trained to use since she was quite a girl, and Mirpah the superb could on occasion haggle over a penny as keenly as the most ancient fishwife in Eastbury market.
At five minutes past nine precisely, six mornings out of every seven, Mirpah Madgin sat down in her father's office and proceeded to open the letters. Mr. Madgin's business was a multifarious one. Not only was he Lady Chillington's general agent and man of business, although that was his most onerous and lucrative appointment, and the one that engaged most of his time and thoughts, but he was also agent for several lesser concerns, always contriving to have a number of small irons in the fire at one time. Much of Mr. Madgin's time was spent in the collection of rents and in out-door work generally, so that nearly the whole of the office duties devolved upon Mirpah, and by no clerk could they have been more efficiently performed. She made up and balanced the numerous accounts with which Mr. Madgin had to deal in one shape or another. Three-fourths of the letters that emanated from Mr. Madgin's office were written by her. From long practice she had learned to write so like her father that only an expert could have detected the difference between the two hands; and she invariably signed herself, "Yours truly, Solomon Madgin." Indeed, so accustomed was she to writing her father's name that in her correspondence with her brother, who was an actor in London, she more frequently than not signed it in place of her own; so that Madgin junior had to look whether the letter was addressed to him as a son or as a brother before he could tell by whom it had been written.
As her father's assistant Mirpah was happy after a quiet, staid sort of fashion. The energies of her nature found their vent in the busy life in which she took so much delight. She was not at all sentimental: she was not the least bit romantic. She was thoroughly practical,
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