The Argonauts of North Liberty | Page 3

Bret Harte

You may distribute copies of this etext electronically, or by disk, book
or any other medium if you either delete this "Small Print!" and all
other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that

you do not remove, alter or modify the etext or this "small print!"
statement. You may however, if you wish, distribute this etext in
machine readable binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro- cessing or
hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not*
contain characters other than those intended by the author of the work,
although tilde (~), asterisk (*) and underline (_) characters may be used
to convey punctuation intended by the author, and additional characters
may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into
plain ASCII, EBCDIC or equivalent form by the program that displays
the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional
cost, fee or expense, a copy of the etext in its original plain ASCII form
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small
Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits
you derive calculated using the method you already use to calculate
your applicable taxes. If you don't derive profits, no royalty is due.
Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following
each date you prepare (or were legally required to prepare) your annual
(or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU
DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning
machines, OCR software, public domain etexts, royalty free copyright
licenses, and every other sort of contribution you can think of. Money
should be paid to "Project Gutenberg Association / Carnegie-Mellon

University".
We are planning on making some changes in our donation structure in
2000, so you might want to email me, [email protected] beforehand.

*END THE SMALL PRINT! FOR PUBLIC DOMAIN
ETEXTS*Ver.04.29.93*END*

This etext was prepared by Donald Lainson, [email protected].

THE ARGONAUTS OF NORTH LIBERTY
by Bret Harte

CHAPTER I
">
PART I

CHAPTER I
The bell of the North Liberty Second Presbyterian Church had just
ceased ringing. North Liberty, Connecticut, never on any day a cheerful
town, was always bleaker and more cheerless on the seventh, when the
Sabbath sun, after vainly trying to coax a smile of reciprocal kindliness
from the drawn curtains and half-closed shutters of the austere
dwellings and the equally sealed and hard- set churchgoing faces of the
people, at last settled down into a blank stare of stony astonishment. On
this chilly March evening of the year 1850, that stare had kindled into
an offended sunset and an angry night that furiously spat sleet and hail
in the faces of the worshippers, and made them fight their way to the
church, step by step, with bent heads and fiercely compressed lips, until
they seemed to be carrying its forbidding portals at the point of their
umbrellas.

Within that sacred but graceless edifice, the rigors of the hour and
occasion reached their climax. The shivering gas-jets lit up the austere
pallor of the bare walls, and the hollow, shell-like sweep of colorless
vacuity behind the cold communion table. The chill of despair and
hopeless renunciation was in the air, untempered by any glow from the
sealed air-tight stove that seemed only to bring out a lukewarm
exhalation of wet clothes and cheaply dyed umbrellas. Nor did the
presence of the worshippers themselves impart any life to the dreary
apartment. Scattered throughout the white pews, in dull, shapeless,
neutral blotches, rigidly separated from each other, they seemed only to
accent the colorless church and the emptiness of all things. A few
children, who had huddled together for warmth in one of the back
benches and who had became glutinous and adherent through moisture,
were laboriously drawn out and painfully picked apart by a watchful
deacon.
The dry, monotonous disturbance of the bell had given way to the
strain of a bass viol, that had been apparently pitched to the key of the
east wind without, and the crude complaint of a new harmonium that
seemed to bewail its limited prospect of ever becoming seasoned or
mellowed in its earthly tabernacle, and then the singing began. Here
and there a human voice soared and struggled above the narrow text
and the monotonous cadence with a cry of individual longing, but was
Continue reading on your phone by scaning this QR Code

 / 44
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.