very industry which alone could give him a chance is discarded. It is so that the young man feels who, with some slight belief in himself and with many doubts, sits down to commence the literary labour by which he hopes to live.
So it was, no doubt, with Thackeray. Such were his hopes and his fears;--with a resolution of which we can well understand that it should have waned at times, of earning his bread, if he did not make his fortune, in the world of literature. One has not to look far for evidence of the condition I have described,--that it was so, Amaryllis and all. How or when he made his very first attempt in London, I have not learned; but he had not probably spent his money without forming "press" acquaintances, and had thus found an aperture for the thin end of the wedge. He wrote for The Constitutional, of which he was part proprietor, beginning his work for that paper as a correspondent from Paris. For a while he was connected with The Times newspaper, though his work there did not I think amount to much. His first regular employment was on Fraser's Magazine, when Mr. Fraser's shop was in Regent Street, when Oliver Yorke was the presumed editor, and among contributors, Carlyle was one of the most notable. I imagine that the battle of life was difficult enough with him even after he had become one of the leading props of that magazine. All that he wrote was not taken, and all that was taken was not approved. In 1837-38, the History of Samuel Titmarsh and the Great Hoggarty Diamond appeared in the magazine. The Great Hoggarty Diamond is now known to all readers of Thackeray's works. It is not my purpose to speak specially of it here, except to assert that it has been thought to be a great success. When it was being brought out, the author told a friend of his,--and of mine,--that it was not much thought of at Fraser's, and that he had been called upon to shorten it. That is an incident disagreeable in its nature to any literary gentleman, and likely to be specially so when he knows that his provision of bread, certainly of improved bread and butter, is at stake. The man who thus darkens his literary brow with the frown of disapproval, has at his disposal all the loaves and all the fishes that are going. If the writer be successful, there will come a time when he will be above such frowns; but, when that opinion went forth, Thackeray had not yet made his footing good, and the notice to him respecting it must have been very bitter. It was in writing this Hoggarty Diamond that Thackeray first invented the name of Michael Angelo Titmarsh. Samuel Titmarsh was the writer, whereas Michael Angelo was an intending illustrator. Thackeray's nose had been broken in a school fight, while he was quite a little boy, by another little boy, at the Charter House; and there was probably some association intended to be jocose with the name of the great artist, whose nose was broken by his fellow-student Torrigiano, and who, as it happened, died exactly three centuries before Thackeray.
I can understand all the disquietude of his heart when that warning, as to the too great length of his story, was given to him. He was not a man capable of feeling at any time quite assured in his position, and when that occurred he was very far from assurance. I think that at no time did he doubt the sufficiency of his own mental qualification for the work he had taken in hand; but he doubted all else. He doubted the appreciation of the world; he doubted his fitness for turning his intellect to valuable account; he doubted his physical capacity,--dreading his own lack of industry; he doubted his luck; he doubted the continual absence of some of those misfortunes on which the works of literary men are shipwrecked. Though he was aware of his own power, he always, to the last, was afraid that his own deficiencies should be too strong against him. It was his nature to be idle,--to put off his work,--and then to be angry with himself for putting it off. Ginger was hot in the mouth with him, and all the allurements of the world were strong upon him. To find on Monday morning an excuse why he should not on Monday do Monday's work was, at the time, an inexpressible relief to him, but had become deep regret,--almost a remorse,--before the Monday was over. To such a one it was not given to believe in himself with that sturdy rock-bound foundation which we see to have belonged to some men
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