man's torso. When he finished, he slowly folded his stethoscope and pulled the sheet back into place. He stared at the patient for a full minute without bringing the slightest change in the empty expression.
"Sleep well," he said, and walked slowly away.
Back in the street, five minutes later, he dropped into the seat beside Rhoda. She eyed him questioningly and when he did not respond, she asked, "Everything all right?"
"I don't know. I guess so."
"What do you mean--guess so? It is or it isn't."
"There was something about a patient's heartbeat. I passed it over on the first examination, but it stuck in my mind. That's why I had to go back."
"And ...?"
"He's got two hearts."
"He's what?"
"He's got two hearts, my beautiful love. One in his chest, where it ought to be, and one in the center of his lower abdomen."
"You're--you're kidding."
"No, darling," Frank Corson said dreamily. "On this night of nights I found a man who is pretty rare indeed. A man with two healthy, functioning hearts."
"All right," Rhoda asked wonderingly. "What do we do about it?"
"We go home for the time being, baby--to your nice, private, wonderful apartment."
"And ...?"
"We make love," he said absently.
* * * * *
Les King, the free-lance news photographer, surveyed his night's work and was not happy. It had been singularly unproductive. A couple of sneak necking shots he'd snapped during a stroll through Central Park had come through a little too pornographic to be of value. Les threw them into the wastebasket. A shot of a man leaning out of a thirtieth-floor window came to nothing because the man had pulled his head in and closed the window. He hadn't jumped. There was a picture of a girl dodging a taxi. He'd caught her with both feet off the ground and a look of surprise on her face, but with her body arced backward and both hands on her rump as though she'd just been thoroughly and expertly goosed. Too vulgar. He put the pic aside.
And the Park Avenue hit? Here it was, a shot of a guy lying where he'd dropped, with the pigeon's rocketing away. Not bad, but it lacked an angle. All that intern had found on him was a name. William Matson. No address. The hell with it.
Les sighed and dropped the pic into his file case. Then he stopped. His face went blank. He pulled the pic out and looked at it again. He felt as if some nagging thought were trying to come to the surface, but nothing clicked, so he dropped the pic back into the file and went to the cooler where he opened an early-morning can of beer before sacking out. A hell of a life, he thought, wandering through nighttime Manhattan watching for people to take their mental pants down so he could get shots of their naked inner backsides.
He finished the beer and went in to take a shower.
Funny about that hit case. The guy had the damnedest expression on his face. Kind of like he was thinking, Okay, so what do I do now?
Fifteen minutes later, Les was asleep.
* * * * *
There was always a certain tension involved in Frank Corson's visits to Rhoda Kane's apartment, with Rhoda usually slightly on edge, waiting for one of Frank's outbursts.
An outburst consisted of his suddenly springing to his feet with a scowl and announcing: "Goddamn it, I don't belong here!"
Rhoda always followed the same script at the beginning of these traumas by inevitably asking, "Why, darling? Why must you say that?"
"Oh, hell, Rhoda! I don't want to hurt you but--"
"Darling, you know I'll go to your room with you if you'd be more comfortable there."
He strode to the window angrily and, for Rhoda, there was that indescribably sweet and exciting reaction she always got from his nakedness. Like a Greek god standing there, she thought, and it thrilled her even though she knew she was being a little subjective about it.
She smiled with tender, understanding amusement as she realized Frank's pattern never varied. His outbursts never came until the first fierce need of her had been assuaged; this was to her liking because her need was as great.
Reacting according to current, "broad-minded" thinking and Manhattan sophistication, she regarded herself and Frank as having a "good physical relationship." Which individual need was the greatest, she had never been able to say. But there certainly was something extraordinary about it. In analyzing it, she'd arrived at the conclusion that they'd been able, on the basis of personal rapport, to function in a completely uninhibited manner; thus, some of their love-making, when lifted out of context and surveyed objectively, might have been called abnormal. Rhoda did not think so, however; or, if she did, she blocked the idea successfully by telling herself that whatever she and
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