are clearly understood. Some care
will be necessary to see that students understand the virtues as well as
the foibles of the characters.
III. Study of the Book as a Whole
SETTING AND SITUATION.--Does Cranford seem like a real place?
Give reasons for your answer.
When are the events related supposed to have taken place?
Why does Mrs. Gaskell pay so little attention to the details of time and
place?
Could the scene of this story be changed to some other place and time
without difficulty? Give reasons. Compare Cranford with some place
that you know in respect to the poverty, aristocracy, social etiquette,
employments, and peculiar ways of the people.
PLOT.--What relation does Chapter I bear to the rest of the book? Are
there suggestions in it that make you expectant of what is to come in
the ensuing chapters?
What connection has Chapter II with the preceding chapter? with the
following?
Are Chapters III and IV connected? Are they connected with what
follows?
Group the remaining chapters to show which belong together.
How many separate stories do you find with no connection except for
the presence of the same characters?
We are told that a good story has a beginning, a middle, and an end.
What seems to be lacking in Cranford?
If we were to consider as complete stories the incident of Miss Matty's
love affair or of Poor Peter, should we find the same lack?
CHARACTERS.--What are the chief motives that prompted the
Cranford ladies to do the things that they did, and to do them in the way
they did?
How did Captain Brown differ from them in the motives that prompted
his actions?
Show how the incident of Miss Jenkins's argument with Captain Brown
on the relative merits of Mr. Boz and Dr. Johnson, illustrates one side
of Miss Jenkins's character. What is her other side? Illustrate. Compare
Miss Matty and her sister to show the strength and weakness of each.
What was there in Miss Matty that made the other ladies help her so
generously in her trouble?
What sort of woman was Mrs. Jamieson? Were her neighbors blind to
her faults? Why did they treat her as they did? Do you think they were
insincere?
What other characters in the story have a distinct personality?
INTERPRETATION.--What purpose do you think the author had in
writing this book?
From this story, what would you judge were her ideas on sincerity? on
the treatment of one's neighbors? on conformity to custom? on social
rank? and on other matters of everyday life?
METHOD OF NARRATION.--Who tells the story?
Does the narrator tell us only of the things that she sees and hears, or of
other things as well? How is it in Ivanhoe? Would the story have to be
changed essentially if it were told by Miss Matty, Miss Pole, or some
other of the characters? Give your reasons.
Has Mrs. Gaskell succeeded in avoiding the awkwardness in the use of
"I" so common in stories told in the first person? If so, how? Compare
it in this respect with one of your own narratives in the first person.
Point out, if you can, some ways in which the author has made her
dialogues smooth and natural. Compare with one of your own.
STYLE.--Note a few of the most humorous passages; of the most
pathetic. In the humorous passages is the author laughing at her
characters, or laughing with them? Compare in this respect her
treatment of Mrs. Jamieson, Miss Barker, and Miss Pole with Scott's
treatment of Prior Aymer, Friar Tuck, and Athelstane.
THE LIFE AND CHARACTER OF THE AUTHOR.--What facts do
we know of Mrs. Gaskell's girlhood? her education? her married life?
her great sorrow? her first literary success? her acquaintance with the
literary men of her day? the regard of her neighbors for her?
COMPARISON.--Does the value of this book lie in its setting? in its
plot? in its characters? in its style? in its teaching? or in all of these
factors?
Compare Cranford in respect to each of the above topics with the other
novels that you have studied.
OUTLINE FOR THE STUDY OF SILAS MARNER
I. Preparation
A few facts about George Eliot's early life will help to show how she
could write as she did about country people--their ideas, habits, and
manner of life.
II. Reading and Study
A rapid reading, followed by a second and more careful one, is quite
practicable with so short and interesting a story as Silas Marner. It is
especially to be recommended for this book, since the chapters are so
full of suggestions of character, of customs of a by-gone time, and of
hints for the further development of the story, that it is difficult for a
young reader, urged on by his interest in the
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