of town altogether. His existence was the more incomprehensible to her, as he rarely lost an opportunity of finding fault with Naples as a city and with the Neapolitans as human beings. Sometimes he did not leave the house for many days, as he frankly admitted, preferring the little apartment in the upper story of the house, where he lived independently, with one old servant, amongst his books and his pictures, appearing downstairs only at dinner, and not always then. His place was always ready for him, but no one ever remarked his absence, nor inquired where he might be when he chose to stay away.
He was on excellent terms with every one. The servants adored him, while they feared his brother and disliked the countess; when he appeared he never failed to kiss the countess's hand, and to exchange a friendly word or two with Gregorio; but as for the latter, Bosio made no secret of the fact that he preferred the society of the ladies of the household to that of the count, with whom he had little in common. He certainly admired his sister-in-law, and more than once frankly confessed to Veronica that in his opinion Matilde Macomer was still the most beautiful woman in the world. Yet Veronica had observed that he was critical of looks in other women, and she thought his criticisms generally just and in good taste. For her part, however, if he chose to consider her middle-aged aunt lovely, Veronica would not contradict him, for she was cautious in a certain degree, and in spite of herself she distrusted her surroundings.
There were times when the Countess Macomer inspired her with confidence. Those very beautiful dark eyes of hers had but one defect, namely, that they were quite too near together; but they were still the best features in the elder woman's face, and when Veronica looked at them from such an angle as not to notice their relative position, she almost believed that she could trust them. But she never liked the smooth red lips, nor the over-pointed nose, which had something of the falcon's keenness without its nobility. The thick and waving brown hair grew almost too low on the white forehead, and, whether by art or nature, the eyebrows were too broad and too dark for the face, though they were so well placed as to greatly improve the defect of the close-set eyes. There was a marvellous genuine freshness of colour in the clear complexion, and the woman carried her head well upon a really magnificent neck. She was strong and vital and healthy, and her personality was as distinctly dominating as her physical self. Yet she was generally very careful not to displease her husband, even when he was capricious, and Veronica was sometimes surprised by the apparent weakness with which she yielded to him in matters about which she had as good a right as he to an opinion and a decision. The girl supposed that her aunt was not so strong as she seemed to be, when actually brought face to face with the rough ice of Gregorio Macomer's character.
Veronica made her observations discreetly and kept them to herself, as was not only becoming but wise. At first the change from the semi-cloistered existence of the convent in Rome to the life at the Palazzo Macomer had dazzled the girl and had confused her ideas. But with the natural desire of the very young to seem experienced, she had begun by manifesting no surprise at anything she saw; and she had soon discovered that, although she was supposed to be living in the society of the most idle and pleasure-loving city in the world, her surroundings were in reality neither gay nor dazzling, but decidedly monotonous and dull. She had dim, childish memories of magnificent things in her father's house, though the main impression was that of his death, following closely, as she had been told, upon her mother's. Of the latter, she could remember nothing. In dreams she saw beautiful things, and brilliant light and splendid pictures and enchanted gardens, and when she awoke she felt that the dreams had been recollections of what she had seen, and of what still belonged to her. But she sought the reality in vain. The grand old palace in the Toledo was hers, she was told, but it was let for a term of years to the municipality and was filled with public offices; the marble staircases were black and dingy with the passing of many feet that tracked in the mud in winter and the filthy dust of Naples in summer. Dark, poor faces and ill-clad forms moved through the halls, and horrible voices echoed perpetually in the corridors, where those who waited discussed taxes, and wrangled,
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