Tamburlaine the Great, Part 1 | Page 3

Christopher Marlowe
fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

Comments on the preparation of the E-Text:
ANGLE BRACKETS:
Any place where angle brackets are used, i.e. < >, it is a change made during the preparation of this E-Text. The original printed book did not use this character at all.
SQUARE BRACKETS:
The square brackets, i.e. [ ] are copied from the printed book, without change, except that the stage directions usually do not have closing brackets. These have been added.
FOOTNOTES:
For this E-Text version of the book, the footnotes have been consolidated at the end of the play.
Numbering of the footnotes has been changed, and each footnote is given a unique identity in the form .
CHANGES TO THE TEXT:
Character names were expanded. For Example, TAMBURLAINE was TAMB., ZENOCRATE was ZENO., etc.
GREEK: One word, appearing in note 115, was printed in Greek Characters. This word has been transliterated as <>.
This E-text was prepared by Gary R. Young using an IBM compatible 486-33 computer, a Hewlett Packard Scanjet IIP scanner, OmniPage Pro OCR software, and Microsoft Word software, September 1997.

TAMBURLAINE THE GREAT, IN TWO PARTS.
This is Part 1
EDITED BY THE REV. ALEXANDER DYCE.

Tamburlaine the Great. Who, from a Scythian Shephearde by his rare and woonderfull Conquests, became a most puissant and mightye Monarque. And (for his tyranny, and terrour in Warre) was tearmed, The Scourge of God. Deuided into two Tragicall Discourses, as they were sundrie times shewed vpon Stages in the Citie of London. By the right honorable the Lord Admyrall, his seruauntes. Now first, and newlie published. London. Printed by Richard Ihones: at the signe of the Rose and Crowne neere Holborne Bridge. 1590. 4to.
The above title-page is pasted into a copy of the FIRST PART OF TAMBURLAINE in the Library at Bridge-water House; which copy, excepting that title-page and the Address to the Readers, is the impression of 1605. I once supposed that the title-pages which bear the dates 1605 and 1606 (see below) had been added to the 4tos of the TWO PARTS of the play originally printed in 1590; but I am now convinced that both PARTS were really reprinted, THE FIRST PART in 1605, and THE SECOND PART in 1606, and that nothing remains of the earlier 4tos, except the title-page and the Address to the Readers, which are preserved in the Bridge- water collection.
In the Bodleian Library, Oxford, is an 8vo edition of both PARTS OF TAMBURLAINE, dated 1590: the title-page of THE FIRST PART agrees verbatim with that given above; the half-title-page of THE SECOND PART is as follows;
The Second Part of The bloody Conquests of mighty Tamburlaine. With his impassionate fury, for the death of his Lady and loue faire Zenocrate; his fourme of exhortacion and discipline to his three sons, and the maner of his own death.
In the Garrick Collection, British Museum, is an 8vo edition of both PARTS dated 1592: the title-page of THE FIRST PART runs thus;
Tamburlaine the Great. Who, from a Scythian Shepheard, by his rare and wonderfull Conquestes, became a most puissant and mightie Mornarch [sic]: And (for his tyrannie, and terrour in warre) was tearmed, The Scourge of God. The first part of the two Tragicall discourses, as they were sundrie times most stately shewed vpon Stages in the Citie of London. By the right honorable the Lord Admirall, his seruauntes. Now newly published. Printed by Richard Iones, dwelling at the signe of the Rose and Crowne neere Holborne Bridge.
The half-title-page of THE SECOND PART agrees exactly with that already given. Perhaps the 8vo at Oxford and that in the British Museum (for I have not had an opportunity of comparing them) are the same impression, differing only in the title-pages.
Langbaine (ACCOUNT OF ENGL. DRAM. POETS, p. 344) mentions an 8vo dated 1593.
The title-pages of the latest impressions of THE TWO PARTS are as follows;
Tamburlaine the Greate. Who, from the state of a Shepheard in Scythia, by his rare and wonderfull Conquests, became a most puissant and mighty Monarque. London Printed for Edward White, and are to be solde at the little North doore of Saint Paules-Church, at the signe of the Gunne, 1605. 4to.
Tamburlaine the Greate. With his impassionate furie,
Continue reading on your phone by scaning this QR Code

 / 32
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.