smith approached the threshold 
steadily, stuck the dirk into it as directed, and entered. Protected by the 
Bible he carried on his breast, the fairies could not touch him; but they 
asked him, with a good deal of displeasure, what he wanted there. He 
answered, "I want my son, whom I see down there, and I will not go 
without him." 
Upon hearing this the whole company before him gave a loud laugh, 
which wakened up the cock he carried dozing in his arms, who at once 
leaped up on his shoulders, clapped his wings lustily, and crowed loud 
and long. 
The fairies, incensed, seized the smith and his son, and throwing them 
out of the hill, flung the dirk after them, and in an instant all was dark. 
For a year and a day the boy never did a turn of work, and hardly ever 
spoke a word; but at last one day, sitting by his father and watching 
him finishing a sword he was making for some chief, and which he was 
very particular about, he suddenly exclaimed, "That is not the way to
do it;" and taking the tools from his father's hands he set to work 
himself in his place, and soon fashioned a sword, the like of which was 
never seen in the country before. 
From that day the young man wrought constantly with his father, and 
became the inventor of a peculiarly fine and well-tempered weapon, the 
making of which kept the two smiths, father and son, in constant 
employment, spread their fame far and wide, and gave them the means 
in abundance, as they before had the disposition, to live content with all 
the world and very happily with each other. 
 
The Grateful Crane[1] 
"Fighting sparrows fear not man," as the old proverb says. Yet it was 
not a sparrow but a crane that fell down out of the air. Near the feet of 
Musai, the farmer's boy, it lay, as he waded in the ooze of his rice field, 
working from daybreak to sundown. 
[Footnote 1: From "The Fire-fly's Lovers," by William Elliot Griffis, 
copyright, 1008, by T. Y. Crowell & Co.] 
The farmer's boy was used to cranes, for in the plough's furrow on the 
dry land these long-legged birds walked close behind, not the least 
afraid in the Mikado's dominions. For who would hurt the 
white-breasted creature, that every one called the Honourable Lord 
Crane? The graceful birds seemed to love to be near man, when he 
worked in the wet or paddy fields, where under four inches of water the 
seeds were planted and the rice plants grew. So graceful in all its 
movements is the crane that many a dainty little maid who acts politely 
hears herself spoken of as the "bird that rises from the water without 
muddying the stream." 
Musai hurried to the grassy bank at the edge of the paddy field as fast 
as he could wade through the liquid mud, to see what was the matter 
with the crane. Throwing down his hoe, and looking in the grass, he 
saw that an arrow was sticking in the crane's back, and that red drops of
blood dappled its white plumage. Instead of seeming frightened when 
the man came near, the bird bent down its neck, as if to submit to 
whatever the farmer's boy should do. 
Gently Musai plucked out the arrow and helped the bird to rise, 
pushing back the undergrowth so that its broad white pinions could 
have free play. After a few feeble attempts to fly it spread its wings, 
rose up from the earth, and after circling several times round its 
benefactor as though to thank him, it flew off to the mountain. 
Musai went back to his work, hoping that in season his labor would 
yield a good crop. He had his widowed mother to support and must 
needs toil every day. His one delight was to come home, weary after 
the long hours of labour in the muddy rice field, and have a hot bath. 
This his mother always had ready for him. Then, clean and with a fresh 
kimono, and a little rest before supper-time, he was ready for a quiet 
evening with the neighbours. 
So in routine the days passed by until autumn was near at hand. One 
day, returning before the sun was fully set, he found seated beside his 
mother a lovely girl. In spite of his contemptible appearance after a 
day's toil, working barelegged in the mire, she welcomed him with the 
grace of a princess. 
Not thinking of returning the salute in his unwashed condition, he took 
off his head-kerchief, drew in his breath, and bowing to his mother 
asked. 
"Who is the honourable That Side, and how comes she into this 
miserable hut?"    
    
		
	
	
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