Tales of Two Countries | Page 7

Alexander Kielland
Here she saw the same greedy eyes, the same inextinguishable, savage envy.
And the dark, earnest men who scanned the equipages with half-contemptuous, half-threatening looks--she knew them all.
Had not she herself, as a little girl, lain in a corner and listened, wide-eyed, to their talk about the injustice of life, the tyranny of the rich, and the rights of the laborer, which he had only to reach out his hand to seize?
She knew that they hated everything--the sleek horses, the dignified coachmen, the shining carriages, and, most of all, the people who sat within them--these insatiable vampires, these ladies, whose ornaments for the night cost more gold than any one of them could earn by the work of a whole lifetime.
And as she looked along the line of carriages, as it dragged on slowly through the crowd, another memory flashed into her mind--a half-forgotten picture from her school-life in the convent.
She suddenly came to think of the story of Pharaoh and his war-chariots following the children of Israel through the Red Sea. She saw the waves, which she had always imagined red as blood, piled up like a wall on both sides of the Egyptians.
Then the voice of Moses sounded. He stretched out his staff over the waters, and the Red Sea waves hurtled together and swallowed up Pharaoh and all his chariots.
She knew that the wall which stood on each side of her was wilder and more rapacious than the waves of the sea; she knew that it needed only a voice, a Moses, to set all this human sea in motion, hurling it irresistibly onward until it should sweep away all the glory of wealth and greatness in its blood-red waves.
Her heart throbbed, and she crouched trembling into the corner of the carriage. But it was not with fear; it was so that those without should not see her--for she was ashamed to meet their eyes.
For the first time in her life, her good-fortune appeared to her in the light of an injustice, a thing to blush for.
Was she in her right place, in this soft-cushioned carriage, among these tyrants and blood-suckers? Should she not rather be out there in the billowing mass, among the children of hate?
Half-forgotten thoughts and feelings thrust up their heads like beasts of prey which have long lain bound. She felt strange and homeless in her glittering life, and thought with a sort of demoniac longing of the horrible places from which she had risen.
She seized her rich lace shawl; there came over her a wild desire to destroy, to tear something to pieces; but at this moment the carriage turned into the gate-way of the h?tel.
The footman tore open the door, and with her gracious smile, her air of quiet, aristocratic distinction, she alighted.
A young attach�� rushed forward, and was happy when she took his arm, still more enraptured when he thought he noticed an unusual gleam in her eyes, and in the seventh heaven when he felt her arm tremble.
Full of pride and hope, he led her with sedulous politeness up the shining marble steps.
***
"'Tell me, belle dame, what good fairy endowed you in your cradle with the marvellous gift of transforming everything you touch into something new and strange. The very flower in your hair has a charm, as though it were wet with the fresh morning dew. And when you dance it seems as though the floor swayed and undulated to the rhythm of your footsteps."
The Count was himself quite astonished at this long and felicitous compliment, for as a rule he did not find it easy to express himself coherently. He expected, too, that his beautiful partner would show her appreciation of his effort.
But he was disappointed. She leaned over the balcony, where they were enjoying the cool evening air after the dance, and gazed out over the crowd and the still-advancing carriages. She seemed not to have understood the Count's great achievement; at least he could only hear her whisper the inexplicable word, "Pharaoh."
He was on the point of remonstrating with her, when she turned round, made a step towards the salon, stopped right in front of him, and looked him in the face with great, wonderful eyes, such as the Count had never seen before.
"I scarcely think, Monsieur le Comte, that any good fairy--perhaps not even a cradle--was present at my birth. But in what you say of my flowers and my dancing your penetration has led you to a great discovery. I will tell you the secret of the fresh morning dew which lies on the flowers. It is the tears, Monsieur le Comte, which envy and shame, disappointment and remorse, have wept over them. And if you seem to feel the floor swaying as we dance, that is because it trembles under the hatred of
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