Taken Alive | Page 7

Edward Payson Roe
of the hospital attendants, men and women, had good voices, and we organized a choir. Every Sunday afternoon we went from ward to ward singing familiar hymns. It was touching to see rough fellows drawing their blankets over their heads to hide the emotion caused by words and melodies associated, in many instances, with home and mother.
Northern generosity, and, in the main, convalescent labor enabled me to build a large commodious chapel and to make great improvements in the hospital farm. The site of the hospital and garden is now occupied by General Armstrong's Normal and Agricultural Institute for Freedmen, and the chapel was occupied as a place of worship until very recently. Thus a noble and most useful work is being accomplished on the ground consecrated by the life-and-death struggles of so many Union soldiers.
In 1865 the blessed era of peace began, bringing its many changes. In October the hospital became practically empty, and I resigned. The books were sent to Fortress Monroe for the use of the garrison, and I found many of them there long years after, almost worn out from use.
After a little rest and some candidating for a church, I took a small parish at Highland Falls, about a mile from West Point, New York, entering on my labors in January, 1866. In this village my wife and I spent nine very happy years. They were full of trial and many cares, but free from those events which bring the deep shadows into one's life. We soon became engaged in building a new stone church, whose granite walls are so thick, and hard-wood finish so substantial that passing centuries should add only the mellowness of age. The effort to raise funds for this enterprise led me into the lecture-field and here I found my cavalry-raid and army life in general exceedingly useful. I looked around for a patch of garden-ground as instinctively as a duck seeks water. The small plot adjoining the parsonage speedily grew into about three acres, from which eventually came a book entitled "Play and Profit in my Garden."
Up to the year 1871 I had written little for publication beyond occasional contributions to the New York "Evangelist," nor had I seriously contemplated a literary life. I had always been extremely fond of fiction, and from boyhood had formed a habit of beguiling the solitary hours in weaving crude fancies around people who for any reason interested me. I usually had a mental serial running, to which I returned when it was my mood; but I had never written even a short story. In October, 1871, I was asked to preach for a far uptown congregation in New York, with the possibility of a settlement in view. On Monday following the services of the Sabbath, the officers of the church were kind enough to ask me to spend a week with them and visit among the people. Meantime, the morning papers laid before us the startling fact that the city of Chicago was burning and that its population were becoming homeless. The tidings impressed me powerfully, waking the deepest sympathy. I said to myself, "Here is a phase of life as remarkable as any witnessed during the war." I obeyed the impulse to be on the scene as soon as possible, stated my purpose to my friends, and was soon among the smoking ruins, finding an abiding-place with throngs of others in a partially finished hotel. For days and nights I wandered where a city had been, and among the extemporized places of refuge harboring all classes of people. Late one night I sat for a long time on the steps of Robert Collyer's church and watched the full moon through the roofless walls and shattered steeple. There was not an evidence of life where had been populous streets. It was there and then, as nearly as I can remember, that the vague outlines of my first story, "Barriers Burned Away," began to take form in my mind. I soon returned home, and began to dream and write, giving during the following year such hours as could be withdrawn from many other duties to the construction of the story. I wrote when and where I could--on steamboats, in railway cars, and at all odd hours of leisure, often with long breaks in the work of composition, caused by the pressure of other affairs, again getting up a sort of white heat from incessantly dwelling upon scenes and incidents that had become real to me. In brief, the story took possession of my mind, and grew as naturally as a plant or a weed in my garden.
It will thus be obvious that at nearly middle age, and in obedience to an impulse, I was launched as an author; that I had very slight literary
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