Swimming Scientifically Taught | Page 6

Frank E. Dalton
continued. The next move is to let a little air out of the life-preserver. The pupil then begins again on the same strokes. After several trips up and down the pool more air is let out, with more trips up and down the pool, and so on until there is no air left in the preserver.
So slight will be the difference that the pupil will hardly notice it. As long as the back is well hollowed, the upper part of the body will float, but directly the body is doubled up the head and feet begin to sink, so that the teacher must follow close after the pupil to make the pupil keep the back well hollowed and the chest expanded. Beginners will be surprized at the ease with which back strokes propel the body through the water without any undue effort. To one who has never been used to swimming without support it gives a wonderful feeling of exhilaration to propel one's self through the water and then, when tired, to slowly bring the arms back under water until the thumbs come together behind the head and the knees are drawn up to the floating position, while the pupil inhales deep breaths through the mouth, thereby sustaining the body well up in the water.
THE BREAST STROKE
[Illustration: FIGURE 9]
The breast stroke has been handed down from an early Roman period. It is the oldest of all strokes, but it is the hardest to learn properly, as the head has to be supported clear of the water. Any part of the body when held above water is dead weight, and as the head is all bone, muscle and brains, it is the heaviest part. This is why, in using the breast stroke, it is much harder to keep the mouth and nostrils above water. The breast stroke is so universally identified with swimming that every beginner wants to learn it. It is only on this account that I teach the breast stroke.
[Illustration: FIGURE 10]
[Illustration: FIGURE 11]
[Illustration: FIGURE 12]
In order to make this stroke clear to beginners I have divided it into four movements each, for the arms and legs. It is a good plan to practise these movements first out of the water. Get the pupil to stand behind, or by the side of, the instructor, and so follow the arm movements. Let him start by having the palms of the hands together, just below the chin, the elbows dropt down and within a few inches of each other, as in Fig. 9. In the first movement shoot the arms straight ahead, holding the hands together, as in Fig. 10. In the next movement turn the hands till the palms are turned slightly out, with the thumbs touching and pointed downward. In the third movement bring the straightened out arms around in line with the shoulders, as in Fig. 11. In the fourth movement bring the hands together till the palms touch, the elbows being dropt, and the wrists touching the chest, as in Fig. 9.
When the pupil has become accustomed to using the arms, the leg movements are taught, each leg separately. The heels are brought together and the toes turned out. Then the left leg is drawn up to the body, the knee turned out, as in Fig. 9. This leg movement is simultaneous with the arm movement, as in Fig. 9. Then the leg is kicked straight out sideways from the body and brought smartly back alongside the other leg, as in Fig. 12. These two movements of the leg are performed while making the one movement of the arm, as in Fig. 10. The arm movements from Fig. 10 to Fig. 11 are accomplished while the legs are stationary, as in Fig. 11. Then the left knee is drawn up, as in Fig. 9, while the hands are brought back to the chest, as in the same figure.
After a little practise with the left leg, the same movements are practised with the other leg and arms. It is hard to practise the arms and both legs together out of water, as in order to do so one has to lie on a piano stool or bench. I discourage this method because the pressure on the abdomen is injurious. After some practise of these movements out of water, we then take the pupil into the water. When the beginner enters the water, it is best for him to be held in a horizontal position by an overhead trolley attached to a belt strapped around the waist, or else held up in the water by the instructor, as per illustration. The four arm movements are tried first, care being taken that the hands do not come out of the water. At the same time they should be kept as
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