Studies in the Psychology of Sex, Volume 4 | Page 3

Gait. The Pregnant Woman as a Medi?val Type of Beauty. The Ideals of the Renaissance. The Breasts. The Corset. Its Object. Its History. Hair. The Beard. The Element of National or Racial Type in Beauty. The Relative Beauty of Blondes and Brunettes. The General European Admiration for Blondes. The Individual Factors in the Constitution of the Idea of Beauty. The Love of the Exotic.
III.
Beauty Not the Sole Element in the Sexual Appeal of Vision. Movement. The Mirror. Narcissism. Pygmalionism. Mixoscopy. The Indifference of Women to Male Beauty. The Significance of Woman's Admiration of Strength. The Spectacle of Strength is a Tactile Quality made Visible.
IV.
The Alleged Charm of Disparity in Sexual Attraction. The Admiration for High Stature. The Admiration for Dark Pigmentation. The Charm of Parity. Conjugal Mating. The Statistical Results of Observation as Regards General Appearance, Stature, and Pigmentation of Married Couples. Preferential Mating and Assortative Mating. The Nature of the Advantage Attained by the Fair in Sexual Selection. The Abhorrence of Incest and the Theories of its Cause. The Explanation in Reality Simple. The Abhorrence of Incest in Relation to Sexual Selection. The Limits to the Charm of Parity in Conjugal Mating. The Charm of Disparity in Secondary Sexual Characters.
V.
Summary of the Conclusions at Present Attainable in Regard to the Nature of Beauty and its Relation to Sexual Selection.
APPENDIX A.
The Origins of the Kiss.
APPENDIX B.
Histories of Sexual Development.

SEXUAL SELECTION IN MAN.
The External Sensory Stimuli Affecting Selection in Man--The Four Senses Involved.
Tumescence--the process by which the organism is brought into the physical and psychic state necessary to insure conjugation and detumescence--to some extent comes about through the spontaneous action of internal forces. To that extent it is analogous to the physical and psychic changes which accompany the gradual filling of the bladder and precede its evacuation. But even among animals who are by no means high in the zo?logical scale the process is more complicated than this. External stimuli act at every stage, arousing or heightening the process of tumescence, and in normal human beings it may be said that the process is never completed without the aid of such stimuli, for even in the auto-erotic sphere external stimuli are still active, either actually or in imagination.
The chief stimuli which influence tumescence and thus direct sexual choice come chiefly--indeed, exclusively--through the four senses of touch, smell, hearing, and sight. All the phenomena of sexual selection, so far as they are based externally, act through these four senses.[1] The reality of the influence thus exerted may be demonstrated statistically even in civilized man, and it has been shown that, as regards, for instance, eye-color, conjugal partners differ sensibly from the unmarried persons by whom they are surrounded. When, therefore, we are exploring the nature of the influence which stimuli, acting through the sensory channels, exert on the strength and direction of the sexual impulse, we are intimately concerned with the process by which the actual form and color, not alone of living things generally, but of our own species, have been shaped and are still being shaped. At the same time, it is probable, we are exploring the mystery which underlies all the subtle appreciations, all the emotional undertones, which are woven in the web of the whole world as it appeals to us through those sensory passages by which alone it can reach us. We are here approaching, therefore, a fundamental subject of unsurpassable importance, a subject which has not yet been accurately explored save at a few isolated points and one which it is therefore impossible to deal with fully and adequately. Yet it cannot be passed over, for it enters into the whole psychology of the sexual instinct.
Of the four senses--touch, smell, hearing, and sight--with which we are here concerned, touch is the most primitive, and it may be said to be the most important, though it is usually the last to make its appeal felt. Smell, which occupies the chief place among many animals, is of comparatively less importance, though of considerable interest, in man; it is only less intimate and final than touch. Sight occupies an intermediate position, and on this account, and also on account of the very great part played by vision in life generally as well as in art, it is the most important of all the senses from the human sexual point of view. Hearing, from the same point of view, is the most remote of all the senses in its appeal to the sexual impulse, and on that account it is, when it intervenes, among the first to make its influence felt.
FOOTNOTES:
[1] Taste must, I believe, be excluded, for if we abstract the parts of touch and smell, even in those abnormal sexual acts in which it may seem to be affected, taste could scarcely have any influence. Most of our