Stradella | Page 3

to him, correcting each shade of expression most fastidiously, and occasionally performing the more difficult passages himself, with many affected gestures and self-approving waggings of his head, though his voice was tuneless and harsh, and his ear anything but perfect.
'Of course,' he would say, 'it is only to give you an idea!'
The idea which he conveyed to Ortensia was that of a performing bear eating strawberries; but she managed to keep her countenance, and not to mimic him when she repeated the passage herself, profiting by his instruction. It was the sort of music that rich amateurs used to write by the ream, subject to the unacknowledged 'corrections' of a well-paid professional; but the girl's sweet voice and genuine talent made the airs sound passable, while her dreamy eyes and her caressing pronunciation of the trivial words did the rest. It was mere talent, for she hardly understood what she was saying, or singing, and she felt not the least emotion, but she seemed to kiss the syllables as they passed her lips.
The first bloom of young womanhood was already on her cheek, but the frosts of childhood's morning had not melted from her maiden heart.
One day she was sitting just at the edge of the sunshine that poured upon the eastern carpet from the high loggia. The room overlooked the garden court of the palace, and the palms and young orange-trees, in vast terra-cotta pots, laden with yellow fruit, had already been brought out and set in their places, for it was the spring-time; the sunshine fell slanting on the headless Ariadne, which was one of the Senator's chief treasures of art, and the rays sparkled in the clear water in the beautiful sarcophagus below. The lilies had already put out young leaves too, that lay rocking on the ripples made by the tiny jet of the fountain. There were long terra-cotta troughs full of white violets, arranged as borders along the small paved paths, and red flower-pots were set symmetrically in squares and rings and curves with roses just blooming, and mignonette, and carnations that still lingered in the bud. It was a formal little garden, but in the midst of its regularity, neither in the centre, nor at any of the artificially planned corners and curves, but out of line with all, one cypress reared up its height. Even as Ortensia saw it, looking out from her loggia, it overtopped the high wall that divided the garden from the canal and the low houses on the other side, showing its dark plume sharp and clear against the sunlit sky; but when the morning and the evening breezes blew in spring and summer, it swayed lazily, and the feathery top waved from side to side, and bent to the caressing air like a live thing. Ortensia loved the tree better than anything else in the garden; even better than the beautiful Greek Ariadne, which her uncle had himself brought from Crete in one of his ships.
She was watching it now, and where the sunlight played in the tip, she could see the golden and reddish lights of the cypress twigs through the deep green. On her knees she held a large musical instrument all made of ivory, and inlaid with black, a lute with eleven strings, but of the shorter kind with the head of the keyboard turned back at a right angle. It lay in her lap, in the ample straw-coloured folds of her silk skirt, and its broad white ribband was passed over her shoulder, and pressed on her lace collar on the left side of her neck.
At a considerable distance from her, a small, middle-aged woman in grey sat in a high chair, bending forward over the little green pillow on which she was making bobbin lace.
There was a good deal of furniture in the large room, and it belonged to different periods; some of it was carved, some inlaid, some gilt in the new French fashion. A great Persian carpet of most exquisite colours softened and blended by age lay on the floor, and the curtains of the doors were of rich old Genoa velvet, with palm leaves woven in gold thread on a faded claret ground.
The time lacked about an hour of noon, and in the deep stillness the trickling of the tiny fountain came up distinctly from the garden.
Something had just happened which Ortensia did not understand, and she had let her lute sink in her lap, to lean back and think, and wonder, watching the familiar outline of the dark cypress against the open sky.
She had been learning a song by a new composer, of whom she had never heard till now, and the manuscript lay open on a cushioned stool beside her. For a time she had followed the notes