board and lodging--equivalent in all to about eight pounds thirteen shillings of English money--a small enough salary indeed! but one which in those days was considered to be a fair emolument for the services of a young player. On August 14, 1703, Bach, who was then eighteen years old, entered upon his duties, having previously taken a 'solemn pledge of diligence and faithfulness, and all that appertaineth to an honourable servant and organist before God and the worshipful Corporation.'
The requirements of the post left him plenty of leisure in which to pursue his studies and improve his playing. Up to this point he had done very little in the shape of actual composition, his aim having been to perfect himself in a knowledge of the requirements of the instrument on which he had fixed his heart's choice, to which end he had spared no diligence in studying the works of the greatest masters. Now, however, he set about teaching himself the art of composition, for which purpose he took a number of concertos written for the violin by Vivaldi, and set them for the pianoforte. By this means he learnt to grasp the connection of musical ideas and the manner in which they should be worked out, and as this exercise implied the rewriting of many passages in order to adapt them for the piano, he gradually attained facility in expressing his own musical thoughts on paper without first playing them on an instrument. Thus, without assistance from anybody, he worked on alone, very often till far into the night, to perfect himself in this important branch of his art.
From the outset, however, his playing at the new church excited attention and admiration, and that it should, nevertheless, have failed to entirely satisfy the authorities was due, not to any lack of power, but simply to the extraordinary manner in which the services were accompanied. The fact is that Bach had no sooner seated himself at the organ than he straightway forgot that choir and congregation were depending upon him, and began to indulge his fancy to such lengths that the singing soon ceased altogether, and the people remained mute with astonishment and admiration. Naturally, these flights of genius were not exactly in accordance with the wishes of the consistory, who, moreover, saw little prospect of their choir becoming efficiently trained under the circumstances. Yet, notwithstanding there were frequent disputes between Bach and the elders of the church with regard to his vagaries, so marvellously were the authorities influenced by the power and beauty of his playing that they overlooked his faults for the sake of his genius.
That Bach must have tried their patience sorely cannot be denied. On one occasion, being specially desirous of visiting L��beck, in order to hear the celebrated organist Buxtehude perform on the organ at the Marien-Kirche during Advent, he obtained a month's leave of absence for the purpose. Fifty miles lay between Arnstadt and the town which formed his destination, but Bach resolutely performed the entire journey on foot, so eager was he to profit by the playing of this master. Once at L��beck, he became so wrapped up in the musical attractions of the town that he completely forgot his promise to return to his post until reminded by his empty purse of the fact that he could no longer prolong his stay. By this time he had gratuitously extended his leave from one month to three! Hence it is not surprising that on his return to Arnstadt the consistory should have expressed serious displeasure at his neglect. On the other hand, it affords a striking proof of the esteem in which his playing was held that the authorities should have allowed him to retain his post in spite of all that had happened.
It was not long before the services of the young musician were sought by the Church authorities of several important towns, whither the fame of his organ-playing had spread. He longed to find a wider scope wherein to prosecute his aims for raising the standard of Church music. Arnstadt had become too narrow for his desires, and, consequently, when, in 1707, he was offered the post of organist of St. Blasius', at M��hlhausen, near Eisenach, he accepted it at once. The invitation was coupled with a request that he would name his own salary--a compliment to his powers to which he modestly responded by fixing the sum at that which he had lately received; but, in addition to pay, his emolument comprised certain dues of corn, wood, and fish, to be delivered free at his door. His post at Arnstadt was filled by his cousin, Johann Ernst, to whom, as he was very poor, and had an aged mother and a sick sister to support, Bach generously handed over the
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