Stop Look and Dig | Page 8

George Oliver Smith
the level of a menial, sterilize her, and put her to work in an occupation that no man or woman with a spark of intelligence, ambition, or good sense would take.
She would live and die a half-robot, alone and ignored, her attractiveness lost because of her own lack-luster mind.
And I'd been willing to go out and plug Scarmann for her.
Hah!
And then she was at my side. I perceived her dimly, inconstantly, through the waves of blackness and unreality that were like the half-dreams that we have when lying a-doze. She levered my frozen body over on its hard back and went to work on my chest. Her arms went around me and she squeezed. Air whooshed into my dead lungs, and then she was beating my breastbone black and blue with her small fists. Beat. Beat-beat. Beat. I couldn't feel a thing but I could dig the fact that she was hurting her hands as she beat on my chest in a rhythm that matched the beat of her own heart.
I dug her own heartbeat for her, and she read my mind and matched the beat perfectly.
Then I felt a thump inside of me and dug my own heart. It throbbed once, sluggishly. It struggled, slowly. Then it throbbed to the beat of her hands and the blackening waves went away. My frozen body relaxed and I came down to rest on the floor like a melting lump of sugar.
Martha dropped on top of my body and pressed me down. Her arms were around my chest as she forced air into my lungs. She beat my ribs sore when my heart faltered, and squeezed me when my breathing slowed. I felt the life coming back into me; it came in like the tide, with a fringe of needles-and-pins that flowed inward from fingers and toes and scalp.
Martha pressed me down on the carpet and kissed me, full, open mouthed, passionate. It stirred my blood and my mind and I took a deep, shuddering breath.
I looked up into her soft blue eyes and said, "Thanks--slut!"
She kissed me again, pressing me down and writhing against me and obviously getting a kick out of my reaction.
Then I came alive and threw her off with no warning. I sat up, and swung a roundhouse right that clipped her on the jaw and sent her rolling over and over. Her eyes glazed for a moment but she came out of it and looked pained and miserable.
"You promised," she said huskily.
"Promised?"
"To kill Scarmann."
"Yeah?"
"You thought how you'd kill Scarmann for me, Steve."
"Someday," I said flatly, "I may kill Scarmann, but it won't be for you!"
She tried to claw me but I clipped her again and this time I made it stick. She went out cold and she was still out like a frozen herring by the time Lieutenant Williamson arrived with his jetcopter squad to take her away.
The last time I saw Martha Franklin, she was still trying to convince twelve Rhine Scholars and True that any woman with a body as beautiful as hers couldn't possibly have committed any crime. She was good at it, but not that good.
Funny. Mental sensitives always think they're so damn superior to anyone else.

***END OF THE PROJECT GUTENBERG EBOOK STOP LOOK AND DIG***

CREDIT
S
November 29, 2006
Project Gutenberg Edition Greg Weeks Joshua Hutchinson Online Distributed Proofreading Team

A WORD FROM PROJECT GUTENBERG
This file should be named 19963-8.txt or 19963-8.zip.
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/1/9/9/6/19963/
Updated editions will replace the previous one -- the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg{~TRADE MARK SIGN~} electronic works to protect the Project Gutenberg{~TRADE MARK SIGN~} concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away -- you may do practically anything with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

THE FULL PROJECT GUTENBERG LICENSE
Please read this before you distribute or use this work.
To protect the Project Gutenberg{~TRADE MARK SIGN~} mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"),
Continue reading on your phone by scaning this QR Code

 / 12
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.