Stonehenge | Page 9

Frank Stevens
straight line northwards for about five hundred yards, where it divides into two branches, one going eastward towards the Avon, where there is an ancient ford, the other continuing northward until it joins yet another earthwork, generally known as the Cursus, about half a mile distant. The whole Avenue has suffered greatly in recent years and is fast disappearing entirely. Both the circular form of the earthwork enclosing Stonehenge, as well as the straight and parallel banks of the Avenue, are specially worthy of notice. They belong to a class of earthwork quite unlike the usual planning of cattle enclosures, and defensive works, and exhibit a precision in setting out which is only associated with the sepulchral and religious earthworks of prehistoric times in this country.
[Illustration: Stonehenge, Yesterday--Looking South East.]

THE BUILDING OF STONEHENGE
The question is often asked, "How did they build Stonehenge?" There is a refreshing simplicity about that indefinite word "they," but for the present, whoever "they" may be, it is possible to some extent, at all events, to furnish an answer to this ever recurring query. In the first place, however, it may be well to recapitulate very briefly the conclusions already arrived at, before entering into a more detailed description of the tools which were employed in the work of erection, and the methods by which the huge Sarsens were reared into position.
Stonehenge is a circular monument, enclosed by a circular earthwork, and approached by an avenue lying north-east and south-west. Without the circle lie four Sarsen stones. The Hele Stone, and two smaller stones unworked, occupying definite sites with reference to the rising and setting of the sun at the Summer and Winter Solstices; and the so-called Slaughtering Stone, the use of which is at present a matter of speculation. The monument proper, consisting of a circle of Sarsen Trilithons, enclosing a circle of upright foreign stones. Within these, five detached Sarsen Trilithons, of graduated height. These five Trilithons are set horseshoe wise. Before them a standing horseshoe of foreign stones, and in the front of the great Trilithon a flat slab or altar stone. From this stone it is possible to look outwards towards the Hele Stone, which lies in line with the axis of the monument drawn through the centre of the Altar Stone. The Sarsen stones were obtained from the immediate neighbourhood, the foreign stones must have been imported from a very considerable distance. All the stones, with the exception of the four specially indicated, have been worked. The question naturally arises how were they worked? The answer to this may be given without the least hesitation: with stone tools. For many years the method of working the stones was a matter of great debate, and the uncertainty then prevailing permitted many theorists to speculate on the "Roman" origin of the structure. Now, however, the entire absence of any metal which resulted from Mr. Gowland's excavations in 1901, at once precludes the possibility of the builders being anything but a primitive people, to whom the use of metal was unknown, or only partly known. The stone tools in use in the construction of Stonehenge were of four kinds.
i. Axes of rude form roughly chipped, and with a cutting edge.
ii. Hammer-axes, chipped to an edge on one side and flat on the other.
iii. Rounded hammer-stones; many of which show signs of bruising and hard wear. The material used in these three classes was flint. All of these tools would have been used in the hand, and not set in a handle.
iv. Rounded hammer-stones of Sarsen, varying from one pound to six and a half pounds in weight. They would have been used for the surface dressing of the stones, to which reference will be made later.
v. Mauls of compact Sarsen weighing between thirty-six and sixty-four pounds. The broadest side of these was more or less flat, and when wielded by two or three men they were capable of giving a very effective blow. Their use would have been for breaking the rude blocks into more or less regular forms; and consolidating the rubble foundations. It is specially notable that no ground or polished stone implements were found among them.
[Illustration: Flint implement from Stonehenge.]
[Illustration: Stag's horn pick from Stonehenge.]
In addition to the stone tools, picks of deer horn were employed for quarrying the chalk when making the foundations of the uprights. Those who are familiar with the antlers of the deer, will recall the sharp pointed tine, known as the "brow tine," which projects forward from the horn above its core or socket. This was the tooth of the pick, all other tines being sawn off; thus transforming the antler into a very rough implement closely resembling a pick, with a single point. Many splinters from these picks were found actually embedded in the chalk
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