St Francis | Page 4

G.K. Chesterton
hold sacred I should have scouted as utterly superstitious, many things that seem to me lucid and enlightened now they are seen from the inside I should honestly have called dark and barbarous seen from the outside, when long ago in those days of boyhood my fancy first caught fire with the glory of Francis of Assisi. I too have lived in Arcady; but even in Arcady I met one walking in a brown habit who loved the woods better than Pan. The figure in the brown habit stands above the hearth in the room where I write, and alone among many such images, at no stage of my pilgrimage has he ever seemed to me a stranger. There is something of a harmony between the hearth and the firelight and my own first pleasure in his words about the brother fire; for he stands far enough back in my memory to mingle with all those more domestic dreams of the first days. Even the fantastic shadows thrown by fire make a sort of shadow pantomine that belongs to the nursery; yet the shadows were even then the shadows of his favourite beast and birds, as he saw them, grotesque but haloed with the love of God. His Brother Wolf and Brother Sheep seemed then almost like the Brer Fox and Brer Rabbit of a more Christian Uncle Remus. I have come slowly to see many more marvellous aspects of such a man, but I have never lost that one. His figure stands on a sort of bridge connecting my boyhood with my conversion to many other things; for the romance of his religion has penetrated even the rationalism of that vague Victorian time. In so far as I have had this experience, I may be able to lead others a little further along that road; but only a very little further. Nobody knows better than I do now that it is a road upon which angels might fear to tread; but though I am certain of failure I am not altogether overcome by fear; for he suffered fools gladly.
CHAPTER II

THE WORLD ST. FRANCIS FOUND
The modern innovation which has substituted journalism for history, or for that tradition that is the gossip of history, has had at least one definite effect. It has insured that everybody should only hear the end of every story. Journalists are in the habit of printing above the very last chapters of their serial stories (when the hero and the heroine are just about to embrace in the last chapter, as only an unfathomable perversity prevented them from doing so in the first) the rather misleading words, "You can only begin this story here." But even this is not a complete parallel; for the journals do give some sort of a summary of the story, while they never give anything remotely resembling a summary of the history. Newspapers not only deal with news, but they deal with everything as if it were entirely new. It is exactly in the same fashion that we read that Admiral Bangs has been shot, which is the first intimation we have that he has ever been born.
There is something singularly significant in the use which journalism makes of its stores of biography. It never thinks of publishing the life until it is publishing the death. As it deals with individuals it deals with institutions and ideas. After the Great War our public began to be told of all sorts of nations being emancipated. It had never been told a word about their being enslaved. We were called upon to judge of the justice of settlements, when we had never been allowed to hear of the very existence of the quarrels. People would think it pedantic to talk about the Serbian epics and they prefer to talk about the Yugo-Slavonic international new diplomacy; and they are quite excited about something they call Czecho-Slovakia without apparently having ever heard about Bohemia. Things that are as old as Europe are regarded as more recent than the very latest claims pegged out on the prairies of America. It is very exciting; like the last act of a play to people who have only come into the theatre just before the curtain falls. But it does not conduce exactly to knowing what it is all about. To those content with the mere fact of a pistol-shot or a passionate embrace, such a leisurely manner of patronising the drama may be recommended. To those tormented by a mere intellectual curiosity about who is kissing or killing whom, it is unsatisfactory.
Most modern history, especially in England, suffers from the same imperfection as journalism. At best it only tells half the story of Christendom; and that the second half without the first half. Men for whom reason begins
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