OTHER?WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT?LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A?PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
INDEMNITY?You will indemnify and hold Michael Hart, the Foundation,?and its trustees and agents, and any volunteers associated?with the production and distribution of Project Gutenberg-tm texts harmless, from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext,?or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"?You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this?"Small Print!" and all other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the?etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form,?including any form resulting from conversion by word?processing or hypertext software, but only so long as?*EITHER*:
[*] The etext, when displayed, is clearly readable, and
does *not* contain characters other than those?intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the?author, and additional characters may be used to?indicate hypertext links; OR
[*] The etext may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this
"Small Print!" statement.
[3] Pay a trademark license fee to the Foundation of 20% of the
gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Literary Archive Foundation" the 60 days following each date you prepare (or were?legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? Project Gutenberg is dedicated to increasing the number of?public domain and licensed works that can be freely distributed in machine readable form.
The Project gratefully accepts contributions of money, time, public domain materials, or royalty free copyright licenses. Money should be paid to the:?"Project Gutenberg Literary Archive Foundation."
If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at:
[email protected]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.12.12.00*END*
This etext was produced by Dave Fawthrop.
Songs of the Ridings
by F. W. Moorman
Contents:
Dedication?Preface?A Dalesman's Litany?Cambodunum?Telling the Bees?The Two Lamplighters?Our Beck?Lord George?Jenny Storm?The New Englishman?The Bells of Kirkby Overblow?The gardener and the Robin?Lile Doad?His last Sail?One Year Older?The Hungry Forties?The Flowers of Knaresborough Forest?The Miller by the Shore?The Bride's Homecoming?The Artist?Marra to Bonney??Mary Mecca?The Local Preacher?The Courting Gate?Fieldfares?A Song of the Yorkshire Dales?The Flower of Wensleydale
I DEDICATE THIS VOLUME TO THE YORKSHIRE MEMBERS OF THE WORKERS' EDUCATIONAL ASSOCITION
Preface
About two years ago I published a collection of Yorkshire dialect poems, chosen from many authors and extending over a period of two hundred and fifty years(1). The volume was well received, and there are abundant signs that the interest in dialect literature is steadily growing in all parts of the county and beyond its borders. What is most encouraging is to find that the book has found an entrance into the homes of Yorkshire peasants and artisans where the works of our great national poets are unknown. I now essay the more venturesome task of publishing dialect verses of my own. Most of the poems contained in this little volume have appeared, anonymously, in the Yorkshire press, and I have now decided to reissue them in book form and with my name on the title-page.
A generation ago the minor poet was, in the eyes of most Englishmen, an object of ridicule. Dickens and Thackeray had done their worst with him: we knew him--or her--as Augustus Snodgrass or Blanche Amory--an amiable fool or an unamiable minx. The twentieth century has already, in its short course, done much to remove this prejudice, and the minor poet is no longer expected to be apologetic; his circle of readers, though small, is