Sketches New and Old | Page 8

Mark Twain (Samuel Clemens)
LATER.--We are all about worn out. For four-and-twenty hours our bristling premises were the talk and wonder of the town. The theaters languished, for their happiest scenic inventions were tame and commonplace compared with my lightning-rods. Our street was blocked night and day with spectators, and among them were many who came from the country to see. It was a blessed relief on the second day when a thunderstorm came up and the lightning began to "go for" my house, as the historian Josephus quaintly phrases it. It cleared the galleries, so to speak. In five minutes there was not a spectator within half a mile of my place; but all the high houses about that distance away were full, windows, roof, and all. And well they might be, for all the falling stars and Fourth-of-July fireworks of a generation, put together and rained down simultaneously out of heaven in one brilliant shower upon one helpless roof, would not have any advantage of the pyrotechnic display that was making my house so magnificently conspicuous in the general gloom of the storm.
By actual count, the lightning struck at my establishment seven hundred and sixty-four times in forty minutes, but tripped on one of those faithful rods every time, and slid down the spiral-twist and shot into the earth before it probably had time to be surprised at the way the thing was done. And through all that bombardment only one patch of slates was ripped up, and that was because, for a single instant, the rods in the vicinity were transporting all the lightning they could possibly accommodate. Well, nothing was ever seen like it since the world began. For one whole day and night not a member of my family stuck his head out of the window but he got the hair snatched off it as smooth as a billiard-ball; and; if the reader will believe me, not one of us ever dreamt of stirring abroad. But at last the awful siege came to an end-because there was absolutely no more electricity left in the clouds above us within grappling distance of my insatiable rods. Then I sallied forth, and gathered daring workmen together, and not a bite or a nap did we take till the premises were utterly stripped of all their terrific armament except just three rods on the house, one on the kitchen, and one on the barn--and, behold, these remain there even unto this day. And then, and not till then, the people ventured to use our street again. I will remark here, in passing, that during that fearful time I did not continue my essay upon political economy. I am not even yet settled enough in nerve and brain to resume it.
TO WHOM IT MAY CONCERN.--Parties having need of three thousand two hundred and eleven feet of best quality zinc-plated spiral-twist lightning-rod stuff, and sixteen hundred and thirty-one silver-tipped points, all in tolerable repair (and, although much worn by use, still equal to any ordinary emergency), can hear of a bargains by addressing the publisher.

THE JUMPING FROG [written about 1865]
IN ENGLISH. THEN IN FRENCH. THEN CLAWED BACK INTO A CIVILIZED LANGUAGE ONCE MORE BY PATIENT, UNREMUNERATED TOIL.
Even a criminal is entitled to fair play; and certainly when a man who has done no harm has been unjustly treated, he is privileged to do his best to right himself. My attention has just beep called to an article some three years old in a French Magazine entitled, 'Revue des Deux Mondes' (Review of Some Two Worlds), wherein the writer treats of "Les Humoristes Americaines" (These Humorist Americans). I am one of these humorists American dissected by him, and hence the complaint I am making.
This gentleman's article is an able one (as articles go, in the French, where they always tangle up everything to that degree that when you start into a sentence you never know whether you are going to come out alive or not). It is a very good article and the writer says all manner of kind and complimentary things about me--for which I am sure thank him with all my heart; but then why should he go and spoil all his praise by one unlucky experiment? What I refer to is this: he says my jumping Frog is a funny story, but still he can't see why it should ever really convulse any one with laughter--and straightway proceeds to translate it into French in order to prove to his nation that there is nothing so very extravagantly funny about it. Just there is where my complaint originates. He has not translated it at all; he has simply mixed it all up; it is no more like the jumping Frog when he gets through with it than I am like a meridian of longitude.
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