possible, and succeeded well enough for my purpose....
"The outlines of the process were the following:
"A stretching and stretching gaze eastward, with an undulating motion of the head, as if looking across and beyond the Atlantic Ocean, to denote that the event happened, not on the western, but eastern continent. This was making a little progress, as it took the subject out of the range of American history.
"A turning of the eyes upward and backward, with frequently-repeated motions of the head backward, as if looking a great way back in past time, to denote that the event was one of ancient date.
"The aquiline shape of the nose, already referred to, indicating that a Roman was the person concerned. It was, of course, an old Roman.
"Portraying, as well as I could, by my countenance, attitude, and manner an individual high in authority, and commanding others, as if he expected to be obeyed.
"Looking and acting as if I were giving out a specific order to many persons, and threatening punishment on those who should resist my authority, even the punishment of death.
"Here was a pause in the progress of events, which I denoted by sleeping as it were during the night and awakening in the morning, and doing this several times, to signify that several days had elapsed.
"Looking with deep interest and surprise, as if at a single person brought and standing before me, with an expression of countenance indicating that he had violated the order which I had given, and that I knew it. Then looking in the same way at another person near him as also guilty. Two offending persons were thus denoted.
"Exhibiting serious deliberation, then hesitation, accompanied with strong conflicting emotions, producing perturbation, as if I knew not how to feel or what to do.
"Looking first at one of the persons before me, and then at the other, and then at both together, as a father would look, indicating his distressful parental feelings under such afflicting circumstances.
"Composing my feelings, showing that a change was coming over me, and exhibiting towards the imaginary persons before me the decided look of the inflexible commander, who was determined and ready to order them away to execution. Looking and acting as if the tender and forgiving feelings of the father had again got the ascendency, and as if I was about to relent and pardon them.
"These alternating states of mind I portrayed several times, to make my representations the more graphic and impressive.
"At length the father yields, and the stern principle of justice, as expressed in my countenance and manners, prevails. My look and action denote the passing of the sentence of death on the offenders, and the ordering them away to execution.
* * * * *
"He quickly turned round to his slate and wrote a correct and complete account of this story of Brutus and his two sons."
* * * * *
While it appears that the expressions of the features are not confined to the emotions or to distinguishing synonyms, it must be remembered that the meaning of the same motion of hands, arms, and fingers is often modified, individualized, or accentuated by associated facial changes and postures of the body not essential to the sign, which emotional changes and postures are at once the most difficult to describe and the most interesting when intelligently reported, not only because they infuse life into the skeleton sign, but because they may belong to the class of innate expressions.
THE ORIGIN OF SIGN LANGUAGE.
In observing the maxim that nothing can be thoroughly understood unless its beginning is known, it becomes necessary to examine into the origin of sign language through its connection with that of oral speech. In this examination it is essential to be free from the vague popular impression that some oral language, of the general character of that now used among mankind, is "natural" to mankind. It will be admitted on reflection that all oral languages were at some past time far less serviceable to those using them than they are now, and as each particular language has been thoroughly studied it has become evident that it grew out of some other and less advanced form. In the investigation of these old forms it has been so difficult to ascertain how any of them first became a useful instrument of inter-communication that many conflicting theories on this subject have been advocated.
Oral language consists of variations and mutations of vocal sounds produced as signs of thought and emotion. But it is not enough that those signs should be available as the vehicle of the producer's own thoughts. They must be also efficient for the communication of such thoughts to others. It has been, until of late years, generally held that thought was not possible without oral language, and that, as man was supposed to
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