Short Stories, vol 1 | Page 4

IV.
THE MORIBUND THE GAMEKEEPER THE STORY OF A FARM GIRL THE WRECK THEODULE SABOT'S CONFESSION THE WRONG HOUSE THE DIAMOND NECKLACE THE MARQUIS DE FUMEROL THE TRIP OF THE HORLA FAREWELL THE WOLF THE INN

VOLUME V.
MONSIEUR PARENT QUEEN HORTENSE TIMBUCTOO TOMBSTONES MADEMOISELLE PEARL THE THIEF CLAIR DE LUNE WAITER, A "BOCK" AFTER FORGIVENESS IN THE SPRING A QUEER NIGHT IN PARIS

VOLUME VI.
THAT COSTLY RIDE USELESS BEAUTY THE FATHER MY UNCLE SOSTHENES THE BARONESS MOTHER AND SON THE HAND A TRESS OF HAIR ON THE RIVER THE CRIPPLE A STROLL ALEXANDRE THE LOG JULIE ROMAINE THE RONDOLI SISTERS

VOLUME VII.
THE FALSE GEMS FASCINATION YVETTE SAMORIS A VENDETTA MY TWENTY-FIVE DAYS "THE TERROR" LEGEND OF MONT ST. MICHEL A NEW YEAR'S GIFT FRIEND PATIENCE ABANDONED THE MAISON TELLIER DENIS MY WIFE THE UNKNOWN THE APPARITION

VOLUME VIII.
CLOCHETTE THE KISS THE LEGION OF HONOR THE TEST FOUND ON A DROWNED MAN THE ORPHAN THE BEGGAR THE RABBIT HIS AVENGER MY UNCLE JULES THE MODEL A VAGABOND THE FISHING HOLE THE SPASM IN THE WOOD MARTINE ALL OVER THE PARROT A PIECE OF STRING

VOLUME IX.
TOINE MADAME HUSSON'S ROSIER THE ADOPTED SON A COWARD OLD MONGILET MOONLIGHT THE FIRST SNOWFALL SUNDAYS OF A BOURGEOIS A RECOLLECTION OUR LETTERS THE LOVE OF LONG AGO FRIEND JOSEPH THE EFFEMINATES OLD AMABLE

VOLUME X.
THE CHRISTENING THE FARMER'S WIFE THE DEVIL THE SNIPE THE WILL WALTER SCHNAFF'S ADVENTURE AT SEA MINUET THE SON THAT PIG OF A MORIN SAINT ANTHONY LASTING LOVE PIERROT A NORMANDY JOKE FATHER MATTHEW

VOLUME XI.
THE UMBRELLA BELHOMME'S BEAST DISCOVERY THE ACCURSED BREAD THE DOWRY THE DIARY OF A MAD MAN THE MASK THE PENGUINS ROCK A FAMILY SUICIDES AN ARTIFICE DREAMS SIMON'S PAPA

VOLUME XII.
THE CHILD A COUNTRY EXCURSION ROSE ROSALIE PRUDENT REGRET A SISTER'S CONFESSION COCO A DEAD WOMAN'S SECRET A HUMBLE DRAMA MADEMOISELLE COCOTTE THE CORSICAN BANDIT THE GRAVE

VOLUME XIII.
OLD JUDAS THE LITTLE CASK BOITELLE A WIDOW THE ENGLISHMEN OF ETRETAT MAGNETISM A FATHERS CONFESSION A MOTHER OF MONSTERS AN UNCOMFORTABLE BED A PORTRAIT THE DRUNKARD THE WARDROBE THE MOUNTAIN POOL A CREMATION MISTI MADAME HERMET THE MAGIC COUCH

GUY DE MAUPASSANT ORIGINAL SHORT STORIES
VOLUME I.
GUY DE MAUPASSANT--A STUDY BY POL. NEVEUX BOULE DE SUIF TWO FRIENDS THE LANCER'S WIFE THE PRISONERS TWO LITTLE SOLDIERS FATHER MILON A COUP D'ETAT LIEUTENANT LARE'S MARRIAGE THE HORRIBLE MADAME PARISSE MADEMOISELLE FIFI A DUEL

GUY DE MAUPASSANT A STUDY BY POL. NEVEUX
"I entered literary life as a meteor, and I shall leave it like a thunderbolt." These words of Maupassant to Jose Maria de Heredia on the occasion of a memorable meeting are, in spite of their morbid solemnity, not an inexact summing up of the brief career during which, for ten years, the writer, by turns undaunted and sorrowful, with the fertility of a master hand produced poetry, novels, romances and travels, only to sink prematurely into the abyss of madness and death. . . . .
In the month of April, 1880, an article appeared in the "Le Gaulois" announcing the publication of the Soirees de Medan. It was signed by a name as yet unknown: Guy de Maupassant. After a juvenile diatribe against romanticism and a passionate attack on languorous literature, the writer extolled the study of real life, and announced the publication of the new work. It was picturesque and charming. In the quiet of evening, on an island, in the Seine, beneath poplars instead of the Neapolitan cypresses dear to the friends of Boccaccio, amid the continuous murmur of the valley, and no longer to the sound of the Pyrennean streams that murmured a faint accompaniment to the tales of Marguerite's cavaliers, the master and his disciples took turns in narrating some striking or pathetic episode of the war. And the issue, in collaboration, of these tales in one volume, in which the master jostled elbows with his pupils, took on the appearance of a manifesto, the tone of a challenge, or the utterance of a creed.
In fact, however, the beginnings had been much more simple, and they had confined themselves, beneath the trees of Medan, to deciding on a general title for the work. Zola had contributed the manuscript of the "Attaque du Moulin," and it was at Maupassant's house that the five young men gave in their contributions. Each one read his story, Maupassant being the last. When he had finished Boule de Suif, with a spontaneous impulse, with an emotion they never forgot, filled with enthusiasm at this revelation, they all rose and, without superfluous words, acclaimed him as a master.
He undertook to write the article for the Gaulois and, in cooperation with his friends, he worded it in the terms with which we are familiar, amplifying and embellishing it, yielding to an inborn taste for mystification which his youth rendered excusable. The essential point, he said, is to "unmoor" criticism.
It was unmoored. The following