household. Each fresh house was the one where they were to abide for ever, and each formed the base of operations for some new scheme of comprehensive beneficence. Thus at Tremadoc, on the Welsh coast, Shelley embarked on the construction of an embankment to reclaim a drowned tract of land; 'Queen Mab' was written partly in Devonshire and partly in Wales; and from Ireland, where he had gone to regenerate the country, he opened correspondence with William Godwin, the philosopher and author of 'Political Justice'. His energy in entering upon ecstatic personal relations was as great as that which he threw into philanthropic schemes; but the relations, like the schemes, were formed with no notion of adapting means to ends, and were often dropped as hurriedly. Eliza Westbrook, at first a woman of estimable qualities, quickly became "a blind and loathsome worm that cannot see to sting", Miss Hitchener, who had been induced to give up her school and come to live with them "for ever," was discovered to be a "brown demon," and had to be pensioned off. He loved his wife for a time, but they drifted apart, and he found consolation in a sentimental attachment to a Mrs. Boinville and her daughter, Cornelia Turner, ladies who read Italian poetry with him and sang to guitars. Harriet had borne him a daughter, Ianthe, but she herself was a child, who soon wearied of philosophy and of being taught Latin; naturally she wanted fine clothes, fashion, a settlement. Egged on by her sister, she spent on plate and a carriage the money that Shelley would have squandered on humanity at large. Money difficulties and negotiations with his father were the background of all this period. On March 24, 1814, he married Harriet in church, to settle any possible question as to the legitimacy of his children; but they parted soon after. Attempts were made at reconciliation, which might have. succeeded had not Shelley during this summer drifted into a serious and relatively permanent passion. He made financial provision for his wife, who gave birth to a second child, a boy, on November 30, 1814; but, as the months passed, and Shelley was irrevocably bound to another, she lost heart for life in the dreariness of her father's house. An Irish officer took her for his mistress, and on December 10, 1816, she was found drowned in the Serpentine. Twenty days later Shelley married his second wife.
This marriage was the result of his correspondence with William Godwin, which had ripened into intimacy, based on community of principles, with the Godwin household. The philosopher, a short, stout old man, presided, with his big bald head, his leaden complexion, and his air of a dissenting minister, over a heterogeneous family at 41 Skinner Street, Holborn, supported in scrambling poverty by the energy of the second Mrs. Godwin, who carried on a business of publishing children's books. In letters of the time we see Mrs. Godwin as a fat little woman in a black velvet dress, bad-tempered and untruthful. "She is a very disgusting woman, and wears green spectacles," said Charles Lamb. Besides a small son of the Godwins, the family contained four other members--Clara Mary Jane Clairmont and Charles Clairmont (Mrs. Godwin's children by a previous marriage), Fanny Godwin (as she was called), and Mary Godwin. These last two were the daughters of Mary Wollstonecraft, the author of 'The Rights of Women', the great feminist, who had been Godwin's first wife. Fanny's father was a scamp called Imlay, and Mary was Godwin's child.
Mary disliked her stepmother, and would wander on fine days to read beside her mother's grave in Old St. Pancras Churchyard. This girl of seventeen had a strong if rather narrow mind; she was imperious, ardent, and firm-willed. She is said to have been very pale, with golden hair and a large forehead, redeemed from commonplace by hazel eyes which had a piercing look. When sitting, she appeared to be of more than average height; when she stood, you saw that she had her father's stumpy legs. Intellectually, and by the solidity of her character, she was better fitted to be Shelley's mate than any other woman he ever came across. It was natural that she should be interested in this bright creature, fallen as from another world into their dingy, squabbling family. If it was inevitable that her interest, touched with pity (for he was in despair over the collapse of his life with Harriet), should quickly warm to love, we must insist that the rapture with which he leaped to meet her had some foundation in reality. That she was gifted is manifest in her writings-- chiefly, no doubt, in 'Frankenstein', composed when she had Shelley to fire her imagination; but her other novels are competent, and her
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