Shakspere, Personal Recollections | Page 7

John A. Joyce
sound of waves upon a stormy or summer sea. His lips were red and full, marked by Nature, with the "bow of beauty," and when his luminous countenance was flushed with celestial light, he shot the arrows of love-lit glances around the schoolroom and fairly magnetized the boys, and particularly the girls, with the radiant influence of his unconscious genius.
Will was a constant source of anxiety and wonder to the teacher, who often marked him as the scapegoat to carry off the surface sins of sneaking and cowardly pupils. Corporal punishment was part of school discipline, and William and myself got our share of the rule and rod.
Through all the centuries, in youth and age, private and public, the scapegoat has been the real hero in all troubles and misfortunes. He seems to be a necessary mortal, but while persecution relentlessly pursues him, he almost invariably triumphs over his enemies, and when even devoted to the prison, the stake or the scaffold, as a martyr, he triumphs over the grave and is monumented in the memory of mankind for his bravery and silent self-sacrifice!
For seven school years Will and myself were daily companions. Spring, with its cowslips and primroses, and hawthorn blossoms, found us rambling through the woods and fields, and angling for the finny tribe disporting in the purling waters of the crystal Avon.
Summer brought its grain and fruits, with boys and girls scrambling over hedges, fences, stiles and brooks, in search of berries and ripe apples; autumn with its nuts, birds and hares, invited us to hunting grounds, along the rolling ridges and the dense forest of Arden, even poaching on the domain of Sir Thomas Lucy and the royal reaches of Warwick Castle, and old winter with his snowy locks and whistling airs brought the roses to our young cheeks, skipping and sporting through his fantastic realm like the snow birds whirling in clumps of clouds across the withered world.
Looking back over the fields, forests and waters of the past through the variegated realms of celestial imagination, I behold after the lapse of more than three centuries of human wrecks, the brilliant boys and glorious girls I played with in childhood years--still shining as bright and fresh as the flowers and fruits of yesterday!
"For we are the same our fathers have been, We see the same sights our fathers have seen, We drink the same streams and view the same sun, And run the same course our fathers have run!"
I remember well the first time Will and myself attended a theatrical performance. It was on the first of April, 1573, when we were about nine years of age.
A strolling band of comic, and Punch and Judy players had made a sudden invasion of Stratford and established themselves in the big barn of the old Bear Tavern on Bridge street.
The town was alive with expectation and the school children were wild to behold the great play of "The Scolding Wife," which was advertised through the streets, in the daytime, by a cartload of bedizened harlequins, belaboring each other with words and gestures, the wife with bare arms, short dress and a bundle of rods, standing rampant over the prostrate form of a drunken husband.
Fifes, drums and timbrels kept up a frantic noise, filling the bylanes and streets of Stratford with astonished country louts and tradesmen, until the fantastic parade ended in the wagon yard of the tavern.
The old barn had been rigged up as a rustic playhouse, the stage covering one end, elevated about three feet from the threshing floor. Curtains with daub pictures were strung across the stage, separated in the center and shifted backward and forward, as the varying scenes of the family play were presented for the hisses or cheers of the variegated audience.
The play consisted of three acts, showing the progress of courtship and marriage at the altar, country and town life with growing children, work, poverty, and final windup of the husband driven from home by the scolding wife, bruised in an alehouse, dead and followed to the graveyard by the Beadle, undertaker and a brindle dog.
The climax scene of the play exhibited the wife with a bundle of rods, surrounded by ragged children, driving out into a midnight storm the husband of her bosom, while peals of thunder and flashes of lightning brought goose pimples and shivers to the frightened audience.
The impression made upon the mind of William and myself did not give us a very hopeful view of married life, and while the haphazard working, drinking habits of the husband seemed to deserve all the punishment he received, the modesty, benevolence and beauty of woman was shattered in our young souls.
On our way home from the country-tragedy performance we were gladdened by the thought, that although the rude, vulgar, criminal passions
Continue reading on your phone by scaning this QR Code

 / 91
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.