brain and came out fine flour, ready for use by the 
theatrical bakers. With the pen of pleasure and brush of fancy he 
painted human life in everlasting colors, that will not fade or tarnish 
with age or wither with the winds of adversity. The celestial sunlight of 
his genius permeated every object he touched and lifted even the vulgar 
vices of earth into the realms of virtue and beauty. 
Shakspere was an intellectual atmosphere that permeated and enlivened 
the world of thought. His genius was as universal as the air, where 
zephyr and storm moved at the imperial will of this Grand Master of 
human passions. 
Principles, not people, absorbed the mammoth mind of Shakspere, who 
paid little attention to the princes and philosophers of his day. Schools, 
universities, monks, priests and popes were rungs in the ladder of his 
mind, and only noticed to scar and satirize their hypocrisy, bigotry and 
tyranny with his javelins of matchless wit. The flower and fruit of 
thought sprang spontaneously from his seraphic soul. 
He flung his phrases into the intellectual ocean of thought, and they 
still shine and shower down the ages like meteors in a midnight sky. 
Like the busy bee, he banqueted on all the blossoms of the globe and 
stored the honey of his genius in the lofty crags of Parnassus. 
Shakspere and Nature were confidential friends, and, while she gave a 
few sheaves of knowledge to her other children, the old Dame 
bestowed upon the "Divine" William the harvest of all the ages.
Shakspere's equipoise of mind, placidity of conduct and control of 
passion rendered him invulnerable to the shafts of envy, malice and 
tyranny, making him always master of the human midgets or vultures 
that circled about his pathway. 
One touch from the brush of his imagination on the rudest dramatic 
canvas illuminated the murky scene and flashed on the eye of the 
beholder the rainbow colors of his matchless genius. 
Ben Jonson, Greene, Marlowe, Fletcher and Burbage gazed with 
astonishment at the versatility of his poetic and dramatic creations, and 
while pangs of jealousy shot athwart their envious souls, they knew that 
the Divine Bard was soaring above the alpine crags of thought, leaving 
them at the foothills of dramatic venture. 
He played the rôle of policy before peasant, lord and king, and used the 
applause and brain of each for his personal advancement, and yet he 
never sacrificed principle for pelf or bedraggled the skirts of virtue in 
the gutter of vice. 
The Divine William knew more about everything than any other man 
knew about anything! He had a carnivorous and omnivorous mind, 
with a judicial soul, and controlled his temper with the same inflexible 
rule that Nature uses when murmuring in zephyrs or shrieking in 
storms, receding or advancing in dramatic thought, as peace or passion 
demanded. 
He seemed at times to be a medley of contradictions, and while playing 
virtue against vice, the reader and beholder are often left in doubt as to 
the guilt or glory of the contending actors. He puts words of wisdom in 
the mouth of a fool, and foolish phrases in the mouth of the wise, and 
shuttlecocked integrity in the loom of imagination. 
William was the only poet who ever had any money sense, and 
understood the real value of copper, silver, gold, jewels and land. His 
early trials and poverty at Stratford, with the example of his bankrupt 
father was always in view, convincing him early in life that ready 
money was all-powerful, purchasing rank, comfort and even so-called
love. 
Yet he only valued riches as a means of doing good, puncturing the 
bladder of bloated wealth with this pin of thought: 
"If thou art rich, thou art poor; For, like an ass whose back with ingots 
bows, Thou bearest thy heavy riches but a journey, And Death unloads 
thee!" 
He noticed wherever he traveled that successful stupidity, although 
secretly despised, was often the master of the people, while a genius 
with the wisdom of the ages, starved at the castle gate, and like Mozart 
and Otway, found rest in the Potter's field. 
No Indian juggler could mystify the ear and eye and mind of an 
audience like Shakspere, for, over the crude thoughts of other dramatic 
writers he threw the glamour of his divine imagination, making the 
shrubs, vines and briers of life bloom into perpetual flowers of pleasure 
and beauty. 
With his mystic wand he mesmerized all, And peasants transformed to 
kings; While age after age in cottage and hall, He soars with imperial 
wings. 
No one mind ever comprehended Shakspere, and even all the authors 
and readers that sauntered over his wonderful garden of literary flowers 
and fruits have but barely clipped at the hedge-rows of his philosophy, 
culling a few fragmentary mementos from    
    
		
	
	
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