Shakespeares Christmas Gift to Queen Bess

Anna Benneson McMahan
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Shakespeare's Christmas Gift to Queen Bess?by Anna Benneson McMahan

The Project Gutenberg EBook of Shakespeare's Christmas Gift to Queen Bess
by Anna Benneson McMahan This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: Shakespeare's Christmas Gift to Queen Bess
Author: Anna Benneson McMahan
Release Date: December 28, 2006 [EBook #20210]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK SHAKESPEARE'S CHRISTMAS GIFT ***

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[Illustration: Queen Elizabeth going to Whitehall through London Streets]

Shakespeare's Christmas Gift To Queen Bess
In the year 1596
By Anna Benneson McMahan
[Illustration: THE MERMAID TAVERN]
Chicago A.C. McClurg & Co.
MCMVII
Published October 12, 1907
The Lakeside Press R.R. DONNELLEY & SONS COMPANY CHICAGO
822.33 HN8 1907 McMahan, Anna (Benneson) Shakespeare's Christmas gift
To my sister Lina in memory of the Christmases of our childhood.

"All, though feigned, is true."

CONTENTS
Page I At the Mermaid 11
II At the Queen's Palace 33
III A Christmas Carol of the Olden Time 65

ILLUSTRATIONS
Page
Queen Elizabeth going to Whitehall through London Streets Frontispiece
At the Mermaid 13
The River Avon at Stratford 14
Birthplace of Mary Arden, Mother of Shakespeare 16
Warwickshire House of the Tudor Period 18
Old Graves in Trinity Churchyard, Stratford 20
Old Warwickshire Cottages 24
A Group of Morris Dancers 26
Garden View of Shakespeare's Birthplace, Stratford 30
Queen Elizabeth going to Whitehall by the Thames 35
Portrait of the Earl of Essex 36
Portrait of the Earl of Southampton 40
Queen Elizabeth listening to the Play 44
"Observance to a morn of May" 46
Woods near Stratford 50
Earl of Leicester receiving Queen Elizabeth at Kenilworth 54
Portrait of Queen Elizabeth in her Later Years 58
A Dance of the Sixteenth Century 62

I.
At the Mermaid.
Thus Raleigh, thus immortal Sidney shone (Illustrious names!) in great Eliza's days.
--Thos. Edwardes.
[Illustration: At the Mermaid]

SHAKESPEARE'S CHRISTMAS GIFT TO QUEEN BESS

I.
At the Mermaid.
The numberless diamond-shaped window panes of the Mermaid Tavern are twinkling like so many stars in the chill December air of London. It is the last meeting of the Mermaid Club for the year 1596, and not a member is absent. As they drop in by twos and threes and gather in groups about the room, it is plain that expectation is on tip-toe. They call each other by their Christian names and pledge healths. Some are young, handsome, fastidious in person and dress; others are bohemian in costume, speech, and action; all wear knee breeches, and nearly all have pointed beards. He of the harsh fighting face, of the fine eye and coarse lip and the shaggy hair, whom they call Ben, although one of the youngest is yet plainly one of the leaders both for wit and for wisdom.
[Illustration: The River Avon at Stratford
"I know a bank where the wild thyme blows, Where oxlips and the nodding violet grows." ]
That grave and handsome gentleman whose lordly bearing and princely dress mark his high rank, is another favourite. He has written charming poems, has fought gallantly on many fields, has voyaged widely on many seas, has founded colonies in distant America, is a favourite of the Queen. But in this Mermaid Club his chief glory is that he is its founder and leader, the one whose magnetism and personal charm has summoned and cemented in friendship all these varied elements.
At last the all-important matter of the yearly Christmas play at court has been settled; the Master of the Revels has chosen from the rich stores of his manuscripts "The Midsummer Night's Dream", graciously adding that "for wit and mirth it is like to please her Majesty exceedingly." A high honor, indeed, for its author. For, not then, as now, were plays written primarily for the recreation and approval of the audience of the theatre. True, the public stage was fostered, and attracted its daily audience, but rather as a dress rehearsal, its main purpose being to train the players for the court presentations at one of her Majesty's palaces. The secret spur to both players and playwright was the hope of being among the chosen for the festivities at Richmond, Whitehall, or Greenwich, as the Queen might fancy to hold her court.
[Illustration: Birthplace of Mary Arden, Mother of Shakespeare
"Quite over-canopied with luscious woodbine With sweet musk-roses and with eglantine." ]
[Illustration: Warwickshire House of the Tudor Period]
Disappointment, soreness, jealousy, not seldom followed the award of the coveted distinction, but not so on this occasion. For now the successful candidate is one of the youngest and best beloved of this jolly coterie, and their pride in him is shown by the eagerness with which they await his coming to read to them the changes in the manuscript of his play since its former presentation. Ah! hear the burst of applause that greets his late arrival--a high-browed,
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