Shakespeare: His Life, Art, and Characters, Volume I. | Page 5

said that a man
finds what he brings with him the faculty for finding. Shakespeare's
mind did not stay on the surface of things. Probably there never was a
man more alive to the presence of humble, modest worth. And to his
keen yet kindly eye the plain-thoughted women of his native Stratford
may well have been as pure, as sweet, as lovely, as rich in all the
inward graces which he delighted to unfold in his female characters, as
any thing he afterwards found among the fine ladies of the metropolis;
albeit I mean no disparagement to these latter; for the Poet was by the
best of all rights a gentleman, and the ladies who pleased him in
London doubtless had sense and womanhood enough to recognize him
as such. At all events, it is reasonable to suppose that the foundations of
his mind were laid before he left Stratford, and that the gatherings of

the boy's eye and heart were the germs of the man's thoughts.
We have seen our Poet springing from what may be justly termed the
best vein of old English life. At the time of his birth, his parents,
considering the purchases previously made by the father, and the
portion inherited by the mother, must have been tolerably well off.
Malone, reckoning only the bequests specified in her father's will,
estimated Mary Shakespeare's fortune to be not less than £110. Later
researches have brought to light considerable items of property that
were unknown to Malone. Supposing her fortune to have been as good
as £150 then, it would go nearly if not quite, as far as $5000 in our time.
So that the Poet passed his boyhood in just about that medium state
between poverty and riches which is accounted most favourable to
health of body and mind.
At the time when his father became High-Bailiff the Poet was in his
fifth year; old enough to understand something of what would be said
and done in the home of an English magistrate, and to take more or less
interest in the duties, the hospitalities, and perhaps the gayeties incident
to the headship of the borough. It would seem that the Poet came
honestly by his inclination to the Drama. During his term of office,
John Shakespeare is found acting in his public capacity as a patron of
the stage. The chamberlain's accounts show that twice in the course of
that year money was paid to different companies of players; and these
are the earliest notices we have of theatrical performances in that
ancient town. The Bailiff and his son William were most likely present
at those performances. From that time forward, all through the Poet's
youth, probably no year passed without similar exhibitions at Stratford.
In 1572, however, an act was passed for restraining itinerant players,
whereby, unless they could show a patent under the great seal, they
became liable to be proceeded against as vagabonds, for performing
without a license from the local authorities. Nevertheless, the
chamberlain's accounts show that between 1569 and 1587 no less than
ten distinct companies performed at Stratford under the patronage of
the corporation. In 1587, five of those companies are found performing
there; and within the period just mentioned the Earl of Leicester's men
are noted on three several occasions as receiving money from the town
treasury. In May, 1574, the Earl of Leicester obtained a patent under
the great seal, enabling his players, James Burbadge and four others, to

exercise their art in any part of the kingdom except London. In 1587,
this company became "The Lord Chamberlain's servants"; and we shall
in due time find Shakespeare belonging to it. James Burbadge was the
father of Richard Burbadge, the greatest actor of that age. The family
was most likely from Warwickshire, and perhaps from Stratford, as we
have already met with the name in that town. Such were the
opportunities our embryo Poet had for catching the first rudiments of
the art in which he afterwards displayed such learned mastery.
The forecited accounts have an entry, in 1564, of two shillings "paid for
defacing image in the chapel." Even then the excesses generated out of
the Reformation were invading such towns as Stratford, and waging a
"crusade against the harmless monuments of the ancient belief; no
exercise of taste being suffered to interfere with what was considered a
religious duty." In these exhibitions of strolling players this spirit found
matter, no doubt, more deserving of its hostility. While the Poet was
yet a boy, a bitter war of books and pamphlets had begun against plays
and players; and the Stratford records inform us of divers attempts to
suppress them in that town; but the issue proves that the Stratfordians
were not easily beaten from that sort of entertainment,