a step nearer it was not there. So does the child we once were play hide and seek with us among the mists of infancy, until one day he trips and falls into the daylight. Then we seize him, and with that touch we two are one. It is the birth of self-consciousness.
Hitherto he had slept at the back of his mother's bed, but to-night she could not have him there, the place being occupied, and rather sulkily he consented to lie crosswise at her feet, undressing by the feeble fire and taking care, as he got into bed, not to look at the usurper. His mother watched him furtively, and was relieved to read in his face that he had no recollection of ever having slept at the foot of a bed before. But soon after he fell asleep he awoke, and was afraid to move lest his father should kick him. He opened his eyes stealthily, and this was neither the room nor the bed he had expected to see.
The floor was bare save for a sheepskin beside the bed. Tommy always stood on the sheepskin while he was dressing because it was warm to the feet, though risky, as your toes sometimes caught in knots in it. There was a deal table in the middle of the floor with some dirty crockery on it and a kettle that would leave a mark, but they had been left there by Shovel's old girl, for Mrs. Sandys usually kept her house clean. The chairs were of the commonest, and the press door would not remain shut unless you stuck a knife between its halves; but there, was a gay blue wardrobe, spotted white where Tommy's mother had scraped off the mud that had once bespattered it during a lengthy sojourn at the door of a shop; and on the mantelpiece was a clock in a little brown and yellow house, and on the clock a Bible that had been in Thrums. But what Tommy was proudest of was his mother's kist, to which the chests of Londoners are not to be compared, though like it in appearance. On the inside of the lid of this kist was pasted, after a Thrums custom, something that his mother called her marriage lines, which she forced Shovel's mother to come up and look at one day, when that lady had made an innuendo Tommy did not understand, and Shovel's mother had looked, and though she could not read, was convinced, knowing them by the shape.
Tommy lay at the foot of the bed looking at this room, which was his home now, and trying to think of the other one, and by and by the fire helped him by falling to ashes, when darkness came in, and packing the furniture in grotesque cloths, removed it piece by piece, all but the clock. Then the room took a new shape. The fireplace was over there instead of here, the torn yellow blind gave way to one made of spars of green wood, that were bunched up at one side, like a lady out for a walk. On a round table there was a beautiful blue cloth, with very few gravy marks, and here a man ate beef when a woman and a boy ate bread, and near the fire was the man's big soft chair, out of which you could pull hairs, just as if it were Shovel's sister.
Of this man who was his father he could get no hold. He could feel his presence, but never see him. Yet he had a face. It sometimes pressed Tommy's face against it in order to hurt him, which it could do, being all short needles at the chin.
Once in those days Tommy and his mother ran away and hid from some one. He did not know from whom nor for how long, though it was but for a week, and it left only two impressions on his mind, the one that he often asked, "Is this starving now, mother?" the other that before turning a corner she always peered round it fearfully. Then they went back again to the man and he laughed when he saw them, but did not take his feet off the mantelpiece. There came a time when the man was always in bed, but still Tommy could not see his face. What he did see was the man's clothes lying on the large chair just as he had placed them there when he undressed for the last time. The black coat and worsted waistcoat which he could take off together were on the seat, and the light trousers hung over the side, the legs on the hearthrug, with the red socks still sticking in them: a man without a body.
But the
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