Selections from the Speeches and Writings | Page 5

orators and statesmen which Great Britain has produced, is featured with expressions, and characterised by qualities, as peculiar as they are immortal. So far as invention, imagination, moral fervour, and metaphorical richness of illustration, combined with that intense "pathos and ethos," which the Roman critic describes ("Huc igitur incumbat orator: hoc opus ejus, hic labor est; sine quo caetera nuda, jejuna, infirma, ingrata sunt: adeo velut spiritus operis hujus atque animus est IN AFFECTIBUS. Horum autem, sicut antiquitus traditum accepimus, duae sunt species: alteram Graeci pathos vocant, quem nos vertentes recte ac proprie AFFECTUM dicimus; alteram ethos, cujus nomine (ut ego quidem sentio) caret sermo Romanus, mores appellantur."--Quintilian, "Instit. Orat." lib. vi. cap. 2.) as essential to the true orator, are concerned, the author of "Reflections on the French Revolution," and "Letters on a Regicide Peace," is justly admired and appreciated. Moreover, if what we understand by the "sublime" in eloquence has ever been embodied, the speeches and writings of Burke appear to have been drawn from those five sources ("pegai") to which Longinus alludes. In the 8th chapter of his fragment "On the Sublime," he observes, that if we assume an ability for speaking well, as a common basis, there are five copious fountains from whence sublimity in eloquence may be said to flow; viz.
1. Boldness and grandeur of thought.
2. The pathetic, or the power of exciting the passions into an enthusiastic reach and noble degree.
3. A skilful application of figures, both from sentiment and language.
4. A graceful, finished, and ornate style, embellished by tropes and metaphors.
5. Lastly, as that which completes all the rest,--the structure of periods, in dignity and grandeur.
These five sources of the sublime, the same philosophical critic distinguishes into two classes; the first two he asserts to be gifts of nature, and the remaining three are considered to depend, in a great measure, upon literature and art. Again, if we may linger for a moment in the attractive region of classical authorship, how justly applicable are the words of Cicero in his "De Oratore," to the vastness and variety of Burke's attainments! "Ac mea quidem sententia, nemo poterit esse omni laude cumulatus orator, nisi erit OMNIUM RERUM MAGNARUM ATQUE ARTIUM SCIENTIAM CONSECUTUS."--Cic. "De Orat." lib. i. cap. 6. Equally descriptive of Burke's power in raising the dormant sensibilities of our moral nature by his intuitive perception of what that nature really and fundamentally is, are the following expressions of the same great authority:--"Quis enim nescit, maximam vim existere oratoris, in hominum mentibus vel ad iram aut ad odium, aut dolorem incitandis, vel, ab hisce, iisdem permonitionibus, ad lenitatem misericordiamque revocandis? Quare, NISI QUI NATURAS HOMINUM, VIMQUE OMNEM HUMANITATIS, CAUSASQUE EAS QUIBUS MENTES AUT EXCITANTUR, AUT REFLECTUNTUR, PENITUS PERSPEXERIT, DICENDO, QUOD VOLET, PERFICERE NON POTERIT."--Cic. "De Orat." lib. i. cap. 12.
But to return. If a critical analysis of Burke, as an exhibition of genius, be attempted, his characteristic endowments may, probably, be not incorrectly represented by the following succinct statement.
1. Endless variety in connection with exhaustless vigour of mind.
2. A lofty power of generalisation, both in speculative views and in his argumentative process.
3. Vivid intensity of conception, which caused abstractions to stand out with almost living force and visible feature, in his impassioned moments.
4. An imagination of oriental luxuriance, whose incessant play in tropes, metaphors, and analogies, frequently causes his speeches to gleam on the intellectual eye, as Aeschylus says the ocean does, when the Sun irradiates its bosom with the "anerithmon gelasma" of countless beams. 5. His positive acquirements in all the varied realms of art, science, and literature, endowed him with such vast funds of knowledge (In the wealth of his multitudinous acquirements, Burke seems to realise Cicero's ideal of what a perfect orator should know:--"Equidem omnia, quae pertinent ad usum civium, morem hominum, quae versantur in consuetudine vitae, in ratione reipublicae, in hac societate civili, in sensu hominum communi, in natura, in moribus, co hendenda esse oratori puto."--Cicero "De Orat." lib. ii. cap. 16.), that Johnson declared of Burke--"Enter upon what subject you will, and Burke is ready to meet you."
6. In addition to these high gifts, may be added, an ability to wield the weapons of sarcasm and irony, with a keenness of application and effect rarely equalled. But, in all candour, it may be added, that just as a profusion of figures and metaphors sometimes tempted this great orator into incongruous images and coarse analogies, so his passion for irony was occasionally too intense. Hence, there are occasions where his pungency is embittered into acrimony, strength degenerates into vulgarism, and the vehemence of satire is infuriated with the fierceness of invective.
7. With regard to language and style, it may be truly said, they were the absolute vassals of his Genius, and did homage to its command in every possible mode by