Seeing Europe with Famous Authors, Vol VIII | Page 6

safety to the valor of her citizens and the multitude of her towers. The ancient wall was evidently so hidden and decayed that Pisa must be regarded as a defenseless city in the twelfth century. It is curious that her citizens should have neglected their own safety at a time when they were masters of fortification and defense; when their fame in these arts had reached as far as Egypt and Syria, and when the Milanese came to them to beg for engineers....
The external appearance of an Italian city in the twelfth century was so unlike anything we are accustomed to in modern times that a strong effort of the imagination is needed to conceive it. Seen from a distance the walls enclosed, not houses, but a forest of tall square shafts, rising into the sky like the crowded chimney stacks in a manufacturing town but far more thickly set together. The city appeared, to use a graphic contemporary metaphor, like a sheaf of corn bound together by its walls.
[Illustration: PANEL IN THE CATHEDRAL, SHOWING PART OF THE MEDIEVAL WALL AND TOWERS OF PISA]
San Gimignano, tho most of its towers have perished long ago, helps us to imagine faintly what Italian towns were like in the days of Frederick Barbarossa or his grandson Frederick II. For most of the houses were actually towers, long rectangular columns, vying with each other in height and crowded close together on either side of the narrow, airless, darkened streets. Sometimes they were connected with one another by wooden bridges, and all were furnished with wooden balconies used in defensive and offensive warfare with their neighbors.
Cities full of towers were common all over southern France and central Italy, but Tuscany had more than any other state, and those of Pisa were the most famous of all. The habit of building and dwelling in towers rather than in houses may have arisen from the difficulty of expanding laterally within an enclosed city; but a stronger reason may be found in the dangers and uncertainty of life in a period when a man might be attacked at any moment by his fellow-citizen, as well as by the enemy of the state. It was a distinct military advantage to overlook one's neighbor, who might be an enemy; and towers rose higher and higher. The spirit of emulation entered, and rich nobles gloried in adding tower to tower and in looking down on all rivals.
But whatever the cause of their existence, they were picturesque, and must have presented a gallant sight on the eve of a high festival. The tall shafts were tinged with gold by the western sun, their battlements crowned with three fluttering banners--the eagle of the Emperor, the white cross of the Commune, and the device of the People--looking as tho a cloud of many-colored butterflies were hovering over the city.
Again, how dramatic the scene when the city was rent by one of the perpetually recurring faction-fights. Light bridges with grappling-irons were thrown from tower to tower, doors and windows were barricaded, balconies and battlements lined with men in shining mail, bearing the fantastic device of their leader on helm and shield. Mangonels, or catapults, huge engines stationed on the roofs of the towers, sent masses of stone hurtling through the air, whistling arbelast bolts and clothyard shafts flew in thick showers, boiling oil or lead rained down on the heads of those who ventured down to attack the doors, and arrows, with Greek fire attached, were shot with nice aim into the wooden balconies and bridges. Vile insults were hurled where missiles failed to strike. The shouts and shrieks of the combatants were mingled with the crash of a falling tower or with the hissing of a fire-arrow. Where those struck, a red glow arose and a thick cloud of smoke enveloped the defenders.
Altho it is evident that towers were very numerous in Pisa, it is difficult to arrive at their precise number. The chroniclers differ greatly in their estimates. Benjamin da Tudela, for instance, says that there were 10,000 in the twelfth century; while Marangone puts the number at 15,000 and Tronci at 16,000. These are round numbers such as the medieval mind loved, but we have abundant evidence that they are not much exaggerated. An intarsia panel in the Duomo, shows how closely the towers were packed together, while the mass of legislation relating to them was directed against abuses that could only have arisen if their number was very large.

V
NAPLES AND ITS ENVIRONS

IN AND ABOUT THE CITY[6]
BY CHARLES DICKENS
So we go, rattling down-hill, into Naples. A funeral is coming up the street, toward us. The body, on an open bier, borne on a kind of palanquin, covered with a gay cloth of crimson and gold. The mourners, in white gowns and masks.