and all
other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that
you do not remove, alter or modify the etext or this "small print!"
statement. You may however, if you wish, distribute this etext in
machine readable binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro- cessing or
hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not*
contain characters other than those intended by the author of the work,
although tilde (~), asterisk (*) and underline (i) characters may be used
to convey punctuation intended by the author, and additional characters
may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into
plain ASCII, EBCDIC or equivalent form by the program that displays
the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional
cost, fee or expense, a copy of the etext in its original plain ASCII form
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small
Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits
you derive calculated using the method you already use to calculate
your applicable taxes. If you don't derive profits, no royalty is due.
Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following
each date you prepare (or were legally required to prepare) your annual
(or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU
DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning
machines, OCR software, public domain etexts, royalty free copyright
licenses, and every other sort of contribution you can think of. Money
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN
ETEXTS*Ver.04.29.93*END*
This etext was prepared by Les Bowler, St. Ives, Dorset from the 1899
Hurst and Blackett edition.
The Second Thoughts of an Idle Fellow
Contents
On the art of making up one's mind. On the disadvantage of not getting
what one wants. On the exceptional merit attaching to the things we
meant to do. On the preparation and employment of love philtres. On
the delights and benefits of slavery. On the care and management of
women. On the minding of other people's business. On the time wasted
in looking before one leaps. On the nobility of ourselves. On the
motherliness of man. On the inadvisability of following advice. On the
playing of marches at the funerals of marionettes.
ON THE ART OF MAKING UP ONE'S MIND
"Now, which would you advise, dear? You see, with the red I shan't be
able to wear my magenta hat."
"Well then, why not have the grey?"
"Yes--yes, I think the grey will be MORE useful."
"It's a good material."
"Yes, and it's a PRETTY grey. You know what I mean, dear; not a
COMMON grey. Of course grey is always an UNINTERESTING
colour."
"Its quiet."
"And then again, what I feel about the red is that it is so warm-looking.
Red makes you FEEL warm even when you're NOT warm. You know
what I mean, dear!"
"Well then, why not have the red? It suits you--red."
"No; do you really think so?"
"Well, when you've got a colour, I mean, of course!"
"Yes, that is the drawback to red. No, I think, on the whole, the grey is
SAFER."
"Then you will take the grey, madam?"
"Yes, I think I'd better; don't you, dear?"
"I like it myself very much."
"And it is good wearing stuff. I shall have it trimmed with--Oh! you
haven't cut it off, have you?"
"I was just about to, madam."
"Well, don't for a moment. Just let me have another look at the red.
You see, dear, it has just occurred to me--that chinchilla would look so
well on the red!"
"So it would, dear!"
"And, you see, I've got the chinchilla."
"Then have the red. Why not?"
"Well, there is the hat I'm thinking of."
"You haven't anything else you could wear with that?"
"Nothing at all, and it would go so BEAUTIFULLY with the
grey.--Yes, I think I'll have the grey. It's always a safe colour--grey."
"Fourteen yards I think you said, madam?"
"Yes, fourteen yards will be enough; because I shall mix it with-- One
minute. You see, dear, if I take the grey I shall have nothing to wear
with my black jacket."
"Won't it go with grey?"
"Not well--not so well as with red."
"I should have the red then. You evidently fancy
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.