Sculpture of the Exposition Palaces and Courts | Page 9

of Throop Polytechnic Institute of Pasadena. This work was done by means of enormous castings made in fine concrete. Mr. Calder originated this method and it will probably be the means of revolutionizing the relief work done on many of the public buildings in the future. Mr. Calder's rare intellectual fiber, added to his accurate knowledge of his subjects, with his exalted outlook, has placed him among the foremost American sculptors.

James Earle Fraser
James Earle Fraser was born at Winona, Minnesota, in 1876. His father was a railroad constructor, so that the lad had a good chance in traveling around the country to study the free types and life of the West. Being very impressionable, he imbibed a great deal which he has turned to good account in his chosen work. At fourteen he started to carve figures from the chalk that conventionality required to be used on blackboard problems. At eighteen he entered the Chicago Art Institute, where he stayed for but three months. He soon went to Paris, going first to the Beaux Arts and later to the Colorossi and Julian Academies. He won many honors during his three years stay in Paris. In 1898 he won the prize offered by the American Art Association in Paris for the best work in sculpture. Augustus Saint-Gaudens was on the jury and immediately became interested in the talented boy who later on held the place of chief assistant in the Saint-Gaudens studio. He became instructor of the Art Students' League of New York in 1906, holding the position until 1911. He it was who made the new five-cent piece design - the Indian head on one side, the bison on the other. He is particularly interested in personalities, having done a number of very clever portrait busts. It is enough to look at the portrait bust of Mrs. Harry Payne Whitney's boy to realize what he is able to do in the line of portraiture. He has produced nothing finer in that line. He is a master of character records.

Daniel Chester French
Since the passing of Augustus Saint-Gaudens, Daniel Chester French has been regarded by many as standing at the head of American sculpture. He was born in Exeter, New Hampshire, in 1850. After having one year at the Massachusetts Institute of Technology, he studied with Doctor Rimnier of Boston, the first teacher of art anatomy in the United States. Later he studied with Thomas Ball of Florence, Italy, and a short time in Paris. He has been practically his own instructor. His work is of the noblest type. It is anatomically correct, of a high intellectual order, perfect technique and of fine imagery. His first important work was "The Minute Man" of Concord, Massachusetts. Among his many works are "Death and the Sculptor," "The Alice Freeman Palmer Memorial," the head of "Emerson" (which caused Emerson to say, "This is the head I shave"), "The Milmore Memorial," "The Alma Mater of Columbia College," and finest of all, the wonderful "Mourning Victory" in Sleepy Hollow Cemetery, Concord. His memorials are of high spiritual import.

Sherry E. Fry
Sherry E. Fry was born in Iowa in 1879. He has been most fortunate in having the best instruction, having studied at the Chicago Art Institute, the Julian Academy and the Beaux Arts of Paris, a year in Florence, and later with McMonnies, Barrias, Verlet and Lorado Taft. He has traveled extensively, so has had the opportunity of seeing the best that the world holds for the artist. He won the National Roman Prize in 1908 and held it for three years. He has been a careful student of the Indians. His work at the Panama-Pacific International Exposition is distinctly graceful and decorative.

Albert Jaegers
Albert Jaegers, a man who has taught himself his art, having fine powers of observation and much invention, was born at Elberfeld, Germany, in 1868. He has been an indefatigable worker, holding his art above all else. Solving technical problems by himself, studying the world around him with an intense love in all his undertakings, Albert Jaegers has come to be a power among his fellows. He has exhibited at several Expositions, has done considerable municipal work - the finest figure probably being his "Baron Steuben," of Washington - and many fine portraits. His "Uncle Joe Cannon" in the Fine Arts Palace, shows his power as a portraitist. His work has brought him decorations from the German Emperor.

Isidore Konti
A foreign sculptor living in New York, Isidore Konti has steadily risen in the excellence of his work until to-day he stands among the foremost American sculptors. He was born at Vienna, in 1862. His father's capture by the Viennese in the war against Hungary, where the father lived, and his subsequent compulsory connection with the Viennese army made the son, Isidore, long for the freedom of