Sculpture of the Exposition Palaces and Courts | Page 2

take Edith Woodman Burroughs' "Youth." What a delight a permanent reproduction of that fountain would be if placed against the side of one of the green hills out at Golden Gate Park - say near the Children's Playground - with a pool at its base. It is only by concerted action that we will ever get these works among us. Who is going to take the lead?

The Contents

Introduction The Fountain of Energy The Mother of Tomorrow The Nations of the Occident The Nations of the Orient The Alaskan The Lama The Genius of Creation The Rising Sun Descending Night Winter The Portals of El Dorado Panel of the Fountain of El Dorado Youth The American Pioneer Cortez The End of the Trail Panel from the Column of Progress The Feast of the Sacrifice The Joy of Living The Man with the Pick The Kneeling Figure The Pegasus Panel Primitive Man Thought Victory The Priestess of Culture The Adventurous Bowman Pan Air The Signs of the Zodiac The Fountain of Ceres The Survival of the Fittest Earth Wildflower Biographies of Sculptors Sculpture Around the Fine Arts Lagoon

The Illustrations

The Fountain of Energy - A. Stirling Calder, Sculptor The Mother of Tomorrow - A. Stirling Calder, Sculptor The Nations of the Occident - A. Stirling Calder, Frederick Roth, Leo Lentelli, Sculptors The Nations of the Orient - A. Stirling Calder, Frederick Roth, Leo Lentelli, Sculptors The Alaskan - Frederick Roth, Sculptor The Lama - Frederick Roth, Sculptor The Genius of Creation - Daniel Chester French, Sculptor The Rising Sun - Adolph Alexander Weinman, Sculptor Descending Night - Adolph Alexander Weinman, Sculptor Winter - Furio Piccirilli, Sculptor The Portals of El Dorado - Gertrude Vanderbilt Whitney, Sculptor Panel of the Fountain of El Dorado - Gertrude Vanderbilt Whitney, Sculptor Youth - Edith Woodman Burroughs, Sculptor The American Pioneer - Solon Hamilton Borglum, Sculptor Cortez - Charles Niehaus, Sculptor The End of the Trail - James Earle Fraser, Sculptor Panel from the Column of Progress - Isidore Konti, Sculptor The Feast of the Sacrifice - Albert Jaeger, Sculptor The Joy of Living - Paul Manship, Sculptor The Man with the Pick - Ralph Stackpole, Sculptor The Kneeling Figure - Ralph Stackpole, Sculptor The Pegasus Panel - Bruno Louis Zimm, Sculptor Primitive Man - Albert Weinert, Sculptor Thought - Albert Weinert, Sculptor Victory - Louis Ulrich, Sculptor The Priestess of Culture - Herbert Adams, Sculptor The Adventurous Bowman - Herman A. MacNeil, Sculptor Pan - Sherry Fry, Sculptor Air - Robert Ingersoll Aitken, Sculptor The Signs of the Zodiac - Herman A. MacNeil, Sculptor The Fountain of Ceres - Evelyn Beatrice Longman, Sculptor The Survival of the Fittest - Robert Ingersoll Aitken, Sculptor Earth - Robert Ingersoll Aitken, Sculptor Wildflower - Edward Berge, Sculptor

Sculpture of the Exposition Palaces and Courts

"The influence of sculpture is far reaching. The mind that loves this art and understands its language will more and more insist on a certain order and decorum in visual life. It opens an avenue for the expression of aesthetic enjoyment somewhere between poetry and music and akin to drama. - Arthur Hoeber

The Fountain of Energy
A. Stirling Calder, Sculptor [See Frontispiece]

The Fountain of Energy is a monumental aquatic composition expressing in exuberant allegory the triumph of Energy, the Lord of the Isthmian Way. It is the central sculptural feature of the South Garden, occupying the great quatrefoil pool in front of the tower. The theme is Energy, the Conqueror - the Over Lord - the Master; Energy, mental and physical; Energy - the Will, the indomitable power that achieved the Waterway between the Oceans at Panama. The Earth Sphere, supported by an undulating frieze of mer-men and women, is his pedestal. Advancing from it in the water at the four relatively respective points of the compass, North, South, East and West, are groups representing the Atlantic and the Pacific Oceans and the North and the South Seas; groups richly imaginative, expressing types of Oriental, Occidental, Southern and Northern land and sea life. The interrupted outer circle of water motifs represent Nereids driving spouting fish. Vertical zones of writhing figures ascend the sphere at the base of the Victor. Across the upper portions of the sphere, and modeled as parts of the Earth, stretch titanic zoomorphs, representing the Hemispheres, East and West. The spirit of the Eastern Hemisphere is conceived as feline and characterized as a human tiger cat. The spirit of the Western Hemisphere is conceived as taurine and characterized as a human bull. The base of the Equestrian is surrounded by a frieze of architecturalized fish and the rearing sea horses that furnish the principal upper motif for the play of water. Energy himself is presented as a nude male, typically American, standing in his stirrups astride a snorting charger - an exultant super-horse needing no