Satyricon, vol 7, Marchena Notes | Page 3

pose as a great warrior, to have all the women chasing after him; therefore, his parasite and his slave spoke of nothing but the passions be inspired in women. Tradition has it that among the Samnites, the bravest men had the choice of the fairest women, and to this custom is attributed one of the reasons these people were so warlike.
In the times of chivalry the greatest exploits were achieved for the pleasure of one's Lady-Love, and there were even such valiant knights, as Don Quixote, who went about the world proving by force of arms that their ladies had no peer. The poverty-stricken troubadours singing harmoniously about their beautiful women found them flying away in the arms of knights who had broken lances at tournaments, or had performed the greatest feats of arms. In fine, all the peoples of the world have said with Dryden:
"None but the brave deserves the fair."

II.
Ses camarades se saisissent de moi et de Quartilla. His comrades seized hold of Quartilla and me.
The profession of Quartilla corresponded to that which is followed by our ladies of the Palace Royal. This Palace Royal is a sort of Babylon, with this difference; that the former prostitute themselves all the year round, and that they are not quite so attractive as the Chaldean beauties. For the rest, one of the incontestable facts of ancient history is this prostitution of the women of Babylon in honor of Venus, and I cannot understand why Voltaire refused to believe it, since religions have always been responsible for the most abominable actions, and because religious wars, the horrors of intolerance, the impostures of priests, the despotism of kings, the degradation and stupidity of the people, have been the direct fatal effects of religions; and seeing that the blind fanaticism of martyrs and the brutal cruelty of tyrants is a hundred times more deplorable than a sacrifice equally agreeable to the victim and to the one who officiates at the sacrifice; and seeing that the enjoyment and giving of life is no less holy than the maceration and caging of innocent animals.
The origin of courtesans is lost in the deepest antiquity. It appears that it was one of the patriarchal customs to enjoy them, for Judah slept with Thamar, widow of his two sons, and who, to seduce him, disguised herself as a courtesan. Another courtesan, Rahab, played a great role in the first wars of the people of the Lord: it was this same Rahab who married Solomon, father of Boaz, fourth forefather of David, and thirty- second forefather of Jesus Christ, our divine Savior. Yet the eternal sagacity of man has failed to take notice of this profession and to resent the injustice done it by the scorn of men. The elected kings of the people, the man who adopts the word father according to the flesh, are descendants of a courtesan.
For the rest, it must be admitted that many who follow this noble profession are unworthy of it and only too well justify the ignominy which is levelled against the entire class. You see these miserable creatures with livid complexions and haggard eyes, with voices of Stentor, breathing out at the same time the poisons which circulate in their veins and the liquors with which they are intoxicated; you see on their blemished and emaciated bodies, the marks of beings more hideous than they (twenty come to satisfy their brutal passions for every one of them); you listen to their vile language, you hear their oaths and revolting expressions: to go to these Megeres is often to encounter brigands and assassins: what a spectacle! It is the deformity of vice in the rags of indigence.
Ah! But these are not courtesans, they are the dregs of cities. A courtesan worthy of the name is a beautiful woman, gracious and amiable, at whose home gather men of letters and men of the world; the first magistrates, the greatest captains: and who keeps men of all professions in a happy state of mind because she is pleasing to them, she inspires in them a desire for reciprocal pleasure: such an one was Aspasia who, after having charmed the cultured people of Athens was for a long time the good companion of Pericles, and contributed much, perhaps, towards making his century what it was, the age of taste in arts and letters. Such an one also was Phryne, Lais, Glycera, and their names will always be celebrated; such, also, was Ninon d'Enclos, one of the ornaments of the century of Louis XIV, and Clairon, the first who realized all the grandeur of her art; such an one art thou, C-----, French Thalia, who commands attentions, I do not say this by way of apology but to share the opinion of Alceste.
A courtesan such as