generation; it is patriarchal and feudal by its own unbroken traditions of family life; and it is only essentially Roman by its speech and social customs. It has undergone great vicissitudes during twenty years; but most of these features remain in spite of new and larger parties, new and bitter political hatreds, new ideas of domestic life, and new fashions in dress and cookery.
In considering an account of the life of Giovanni Saracinesca from the time when, in 1865, he was thirty years of age, down to the present day, it is therefore just that he should be judged with a knowledge of some of these peculiarities of his class. He is not a Roman of the people like Giovanni Cardegna, the great tenor, and few of his ideas have any connection with those of the singer; but he has, in common with him, that singular simplicity of character which he derives from his Roman descent upon the male side, and in which will be found the key to many of his actions both good and bad--a simplicity which loves peace, but cannot always refrain from sudden violence, which loves and hates strongly and to some purpose.
CHAPTER II.
The hour was six o'clock, and the rooms of the Embassy were as full as they were likely to be that day. There would doubtless have been more people had the weather been fine; but it was raining heavily, and below, in the vast court that formed the centre of the palace, the lamps of fifty carriages gleamed through the water and the darkness, and the coachmen, of all dimensions and characters, sat beneath their huge umbrellas and growled to each other, envying the lot of the footmen who were congregated in the ante-chamber up-stairs around the great bronze braziers. But in the reception-rooms there was much light and warmth; there were bright fires and softly shaded lamps; velvet-footed servants stealing softly among the guests, with immense burdens of tea and cake; men of more or less celebrity chatting about politics in corners; women of more or less beauty gossiping over their tea, or flirting, or wishing they had somebody to flirt with; people of many nations and ideas, with a goodly leaven of Romans. They all seemed endeavouring to get away from the men and women of their own nationality, in order to amuse themselves with the difficulties of conversation in languages not their own. Whether they amused themselves or not is of small importance; but as they were all willing to find themselves together twice a-day for the five months of the Roman season--from the first improvised dance before Christmas, to the last set ball in the warm April weather after Easter--it may be argued that they did not dislike each other's society. In case the afternoon should seem dull, his Excellency had engaged the services of Signor Strillone, the singer. From time to time he struck a few chords upon the grand piano, and gave forth a song of his own composition in loud and passionate tones, varied with, very sudden effects of extreme pianissimo, which occasionally surprised some one who was trying to make his conversation heard above the music.
There was a little knot of people standing about the door of the great drawing-room. Some of them were watching their opportunity to slip away unperceived; others had just arrived, and were making a survey of the scene to ascertain the exact position of their Excellencies, and of the persons they most desired to avoid, before coming forward. Suddenly, just as Signor Strillone had reached a high note and was preparing to bellow upon it before letting his voice die away to a pathetic falsetto, the crowd at the door parted a little. A lady entered the room alone, and stood out before the rest, pausing till the singer should have passed the climax of his song, before she proceeded upon her way. She was a very striking woman; every one knew who she was, every one looked towards her, and the little murmur that went round the room was due to her entrance rather than to Signor Strillone's high note.
The Duchessa d'Astrardente stood still, and quietly looked about her. A minister, two secretaries, and three or four princes sprang towards her, each with a chair in hand; but she declined each offer, nodding to one, thanking another by name, and exchanging a few words with a third. She would not sit down; she had not yet spoken to the ambassadress.
Two men followed her closely as she crossed the room when the song was finished. One was a fair man of five-and-thirty, rather stout, and elaborately dressed. He trod softly and carried his hat behind him, while he leaned a little forward in his walk. There was something unpleasant about
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