Sara Crewe | Page 5

suddenly
deprived of a large sum of money yearly and a show pupil, and to find
herself with a little beggar on her hands, was more than she could bear
with any degree of calmness.
"Now listen to me," she went on, "and remember what I say. If you
work hard and prepare to make yourself useful in a few years, I shall let
you stay here. You are only a child, but you are a sharp child, and you
pick up things almost without being taught. You speak French very
well, and in a year or so you can begin to help with the younger pupils.
By the time you are fifteen you ought to be able to do that much at
least."
"I can speak French better than you, now," said Sara; "I always spoke it
with my papa in India." Which was not at all polite, but was painfully
true; because Miss Minchin could not speak French at all, and, indeed,
was not in the least a clever person. But she was a hard, grasping
business woman; and, after the first shock of disappointment, had seen
that at very little expense to herself she might prepare this clever,
determined child to be very useful to her and save her the necessity of
paying large salaries to teachers of languages.
"Don't be impudent, or you will be punished," she said. "You will have
to improve your manners if you expect to earn your bread. You are not
a parlor boarder now. Remember that if you don't please me, and I send
you away, you have no home but the street. You can go now."

Sara turned away.
"Stay," commanded Miss Minchin, "don't you intend to thank me?"
Sara turned toward her. The nervous twitch was to be seen again in her
face, and she seemed to be trying to control it.
"What for?" she said.
For my kindness to you," replied Miss Minchin. "For my kindness in
giving you a home."
Sara went two or three steps nearer to her. Her thin little chest was
heaving up and down, and she spoke in a strange, unchildish voice.
"You are not kind," she said. "You are not kind." And she turned again
and went out of the room, leaving Miss Minchin staring after her
strange, small figure in stony anger.
The child walked up the staircase, holding tightly to her doll; she meant
to go to her bedroom, but at the door she was met by Miss Amelia.
"You are not to go in there," she said. "That is not your room now."
"Where is my room? " asked Sara.
"You are to sleep in the attic next to the cook."
Sara walked on. She mounted two flights more, and reached the door of
the attic room, opened it and went in, shutting it behind her. She stood
against it and looked about her. The room was slanting-roofed and
whitewashed; there was a rusty grate, an iron bedstead, and some odd
articles of furniture, sent up from better rooms below, where they had
been used until they were considered to be worn out. Under the
skylight in the roof, which showed nothing but an oblong piece of dull
gray sky, there was a battered old red footstool.
Sara went to it and sat down. She was a queer child, as I have said
before, and quite unlike other children. She seldom cried. She did not

cry now. She laid her doll, Emily, across her knees, and put her face
down upon her, and her arms around her, and sat there, her little black
head resting on the black crape, not saying one word, not making one
sound.
From that day her life changed entirely. Sometimes she used to feel as
if it must be another life altogether, the life of some other child. She
was a little drudge and outcast; she was given her lessons at odd times
and expected to learn without being taught; she was sent on errands by
Miss Minchin, Miss Amelia and the cook. Nobody took any notice of
her except when they ordered her about. She was often kept busy all
day and then sent into the deserted school-room with a pile of books to
learn her lessons or practise at night. She had never been intimate with
the other pupils, and soon she became so shabby that, taking her queer
clothes together with her queer little ways, they began to look upon her
as a being of another world than their own. The fact was that, as a rule,
Miss Minchin's pupils were rather dull, matter-of-fact young people,
accustomed to being rich and comfortable; and Sara, with her elfish
cleverness, her desolate life, and her odd habit of fixing her eyes upon
them and staring