Sacred and Profane Love | Page 2

the town; but on clear nights the furnaces of Cauldon Bar Ironworks lit the valley for us, and we were reminded that our refined and inviolate calm was hemmed in by rude activities. On the east border of the garden was a row of poplars, and from the window I could see the naked branches of the endmost. A gas-lamp suddenly blazed behind it in Acre Lane, and I descried a bird in the tree. And as the tree waved its plume in the night-wind, and the bird swayed on the moving twig, and the gas-lamp burned meekly and patiently beyond, I seemed to catch in these simple things a glimpse of the secret meaning of human existence, such as one gets sometimes, startlingly, in a mood of idle receptiveness. And it was so sad and so beautiful, so full of an ecstatic melancholy, that I dropped the curtain. And my thought ranged lovingly over our household--prim, regular, and perfect: my old aunt embroidering in the breakfast-room, and Rebecca and Lucy ironing in the impeachable kitchen, and not one of them with the least suspicion that Adam had not really waked up one morning minus a rib. I wandered in fancy all over the house--the attics, my aunt's bedroom so miraculously neat, and mine so unkempt, and the dark places in the corridors where clocks ticked.
I had the sense of the curious compact organism of which my aunt was the head, and into which my soul had strayed by some caprice of fate. What I felt was that the organism was suspended in a sort of enchantment, lifelessly alive, unconsciously expectant of the magic touch which would break the spell, and I wondered how long I must wait before I began to live. I know now that I was happy in those serene preliminary years, but nevertheless I had the illusion of spiritual woe. I sighed grievously as I went back to the piano, and opened the volume of Mikuli's Chopin.
Just as I was beginning to play, Rebecca came into the room. She was a maid of forty years, and stout; absolutely certain of a few things, and quite satisfied in her ignorance of all else; an important person in our house, and therefore an important person in the created universe, of which our house was for her the centre. She wore the white cap with distinction, and when an apron was suspended round her immense waist it ceased to be an apron, and became a symbol, like the apron of a Freemason.
'Well, Rebecca?' I said, without turning my head.
I guessed urgency, otherwise Rebecca would have delegated Lucy.
'If you please, Miss Carlotta, your aunt is not feeling well, and she will not be able to go to the concert to-night.'
'Not be able to go to the concert!' I repeated mechanically.
'No, miss.'
'I will come downstairs.'
'If I were you, I shouldn't, miss. She's dozing a bit just now.'
'Very well.'
I went on playing. But Chopin, who was the chief factor in my emotional life; who had taught me nearly all I knew of grace, wit, and tenderness; who had discovered for me the beauty that lay in everything, in sensuous exaltation as well as in asceticism, in grief as well as in joy; who had shown me that each moment of life, no matter what its import, should be lived intensely and fully; who had carried me with him to the dizziest heights of which passion is capable; whose music I spiritually comprehended to a degree which I felt to be extraordinary--Chopin had almost no significance for me as I played then the most glorious of his compositions. His message was only a blurred sound in my ears. And gradually I perceived, as the soldier gradually perceives who has been hit by a bullet, that I was wounded.
The shock was of such severity that at first I had scarcely noticed it. What? My aunt not going to the concert? That meant that I could not go. But it was impossible that I should not go. I could not conceive my absence from the concert--the concert which I had been anticipating and preparing for during many weeks. We went out but little, Aunt Constance and I. An oratorio, an amateur operatic performance, a ballad concert in the Bursley Town Hall--no more than that; never the Hanbridge Theatre. And now Diaz was coming down to give a pianoforte recital in the Jubilee Hall at Hanbridge; Diaz, the darling of European capitals; Diaz, whose name in seven years had grown legendary; Diaz, the Liszt and the Rubenstein of my generation, and the greatest interpreter of Chopin since Chopin died--Diaz! Diaz! No such concert had ever been announced in the Five Towns, and I was to miss it! Our tickets had been taken, and they were not