Ronicky Doones Treasure | Page 7

calm determination was perfect folly. Besides, there were many explanations. Perhaps Jack Moon had heard simply that Hugh Dawn was coming back to his home, and the traitor to the band had not yet arrived at his destination. Perhaps at that moment the leader was heading straight for a distant point on the road to lay an ambush. "Dawn is in Trainor," he had said, but that might be a metaphorical statement. It might simply mean that he was on the way toward the town. Or perhaps the fugitive had received a warning and had already fled. At any rate, Ronicky Doone felt that he had done more than enough to free his conscience.
But there was one thing that upset this conviction as Ronicky swung back into his saddle and turned the head of weary Lou back down the road through the pines. This was the memory of the voice of the girl. There is no index of character so perfect and suggestive as the voice, and that of Jerry Dawn was soft, quiet, steady. It had neither trembled with fear nor shrilled with indignation. If any of the blood of Hugh Dawn ran in her veins, then surely the man could not be altogether bad.
Of course, this was wild guesswork at best, but it carried a conviction to Ronicky, and when, halfway down to the main road, he remembered how Jack Moon had returned to the door of the barn to investigate a suspicion which was based on nothing but the most shadowy material -- when, above all, he recalled how justified that suspicion was -- Ronicky Doone determined to imitate the maneuver. For were there not reasons why the girl should refuse to admit that this man Hugh Dawn -- her father, perhaps -- had returned to his house?
No sooner had the determination come to Doone than he turned the head of his horse and swerved back toward the house for a second time. He now rode off the noisy gravel, walking Lou in the silent mold beneath the trees; and so he came back again to the edge of the clearing. Here he tethered the mare, skirted under shelter of the trees halfway around the house, and then ran swiftly out of the forest and up to the steep shelter of the wall of the dwelling. Here he paused to take breath and consider again what he had done and the possibilities that lay before him.
He could have laughed at the absurdity of what he had done. He was, in reality, stalking a big house which contained no more than one poor girl, badly frightened already, no doubt, in spite of that steady and brave voice. What he was actually doing was spying on the possibility of Hugh Dawn -- trying to force himself on the man in order to save his life!
Very well. He would be a sane and thinking man once more. The devil might now fly away with Hugh Dawn for all of him. Let there be an end of this foolishness, Ronicky Doone would turn his back on Dawn and all connected with him. His own path led otherwhere.
He had made up his mind to this point and was turning away, when he heard that within the house which made him stop short and flatten his ear against the wall.
It has already been said that sound and echoes traveled easily in that frame building, with its time-dried wood. And now what Ronicky Doone heard was a slow repetition of creaking sounds one after another, moving through the second story of the building. He recognized the intervals; he recognized the nature of the squeaking and straining. Some very heavy person was moving by stealth, slowly, down one of the upper halls.
Certainly it was not the girl who had spoken to him. Could it be Hugh Dawn? Or was it a member of Moon's band, who might have slipped into the building from the rear, say?
Ronicky Doone intended to investigate.

Chapter Four
Warning
He began at once to search for a means of entrance. Ordinarily he would have attempted to get in through one of the windows of the basement, but when he tried them, he found every one staunchly secured from within, and when he attempted to turn the catch with the blade of his knife, he could not succeed. The locks had been rusted strongly in place.
Since he could not take the bottom way in, he would take an upper. Yonder, the turret which projected from the upper corner of the building was continued all the way to the ground through the three stories of the house in a set of bow windows. The result was that between the angle of the projecting windows and the wall of the house itself there were scores of footholds,