Romance Art Of Kissing | Page 8

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Thousands told by thousands more.
Millions, countless millions then
Told by millions o'er again;
Countless as th e drops that glide
In the ocean's billowy tide,
Countless as yon orbs of light
Spangled o'er the vault of night
I'll with ceaseless love bestow
On those cheeks of crimson glow,
On those lips so gently swelling,
On those eyes such fond tales telling.
PUT VA RIETY INTO YOUR KISSES
It is with the last few lines of this poem that our next subject for dis\
cussion concerns
itself. As was mentioned before, the true lover is not satisfied with on\
ly one or two
contacts. He wants n6thing to be held from him. It is for that reason that, when kissing a
girl, after. you have given sufficient time to the kissing of her lips, \
you should vary your
kissing by diverting your zeal to other portions of her face. Robert Her\
rick, who wrote,
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THE ART OF KISSING

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many beautiful love lyrics in his day, ha
s a poem which ideally synthesizes this idea of
varied kisses. In it he says:
It isn't creature born and bred
Between the lips all cherry -red;
It is an active flame that flies
First to the babies of the eyes;
Then to the cheek, the chin and ear;
It frisks and flies -now here, now there -
'Tis now far off, and then 'tis near;
Here and there and everywhere.
Let us say that you have revelled in a sweet, long kiss. Suddenly, you s\
ee your loved
one's eyes close as though in a moment of weariness. Gently detach yo ur lips from her's
and raise them up to her closed eyelids. Drop a kisslet first on one eye\
lid and then on the
other. Feel the rolling orb quiver under your lips. Then , when you have\
done this, run
your lips down along the line of her nose, stopping at od d times to purse them into a tiny
kiss. When you reach the wrinkle of her nostrils, bury your lips deeply \
into the curve and
kiss little niblets into first one and then the other. If her eyes still\
are closed, repeat the
process.
But return to the lips.
Ne ver forget this important injunction, "Return to the lips," for they can\
never become
satiated with love's ardent kisses. The little kisses that you have depo\
sited on her eyes
and her nose serve only to vary the Menu of love. They are but spice to \
the cour se of
love's banquet which should always be the "lip kiss."
THE VACUUM KISS
The Vacuum Kiss
This time, when your eager lips have been deposited on the eager lips of\
the girl, try to
vary the kiss. For instance' instead of using the soul kiss, try what is\
known as the "vac
uum kiss." Here you start off by first opening your mouth a. trifle just\
after you have been
resting peacefully with closed lips. Indicate to your partner, by brushi\
ng her teeth with
the tip of your tongue, that you wish for her to do lik ewise. The moment she responds,
instead of caressing her mouth, suck inward as though you were trying to\
draw out the
innards of an orange. If she knows of this kiss variations your maid wil\
l act in the same
way and withdraw the air from your mouth. In thi s fashion, in a very short while, the, air
will have been entirely drawn out of your mouths. Your lips will adhere \
so tightly that
there will almost be pain, instead of pleasure. But it will be the sort \
of pain that is highly
pleasurable. That may sound od d but, nevertheless, it is a fact. Pain becomes so
excruciating as to become pleasure. This subject will be gone into very \
shortly in regard
to what is known as the "bite kiss." But, at present let I us continue w\
ith the "vacuum
kiss."
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THE ART OF KISSING

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This kiss must, of n
ecessity, last a comparatively short time. There is tog rill4ch strain o\
n
the delicate mouth tissues and the muscles tire very easily. It is .for \
that reason that this
kiss should be shortened. However, there is a special technique to be us\
ed to terminatin g
it. When you decide that you have had enough of it, don't suddenly tear \
your mouth
away. At least, don't do it
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