Romance Art Of Kissing | Page 5

If she draws her head away, return to her hair and sniff luxuriously of
it. Then: settle back to her ear, the while you murmur "sweet, airy noth\
ings" into it. From
the ear to her neck is but another few inches.. Let your lips traverse t\
his distance quickly
and then dart into the nape and, wit h your lips well pursed, nip the skin there, using the
same gentleness as would a cat lifting her precious kittens.
Then, with a series of little nips, bring your lips around from the nape\
of her neck to the
curving, swerve of her jaw, close to the ear. Ge ntly kiss the lobe of her ear. But be sure,
to return to the tender softness of her jaw. From then on, the way shoul\
d be clear to you.
Nuzzle your lips along the soft, downy expanse until you reach the comer\
of her lips. You
will know when this happens bec ause, suddenly, you will feel a strange stiffening of 'her
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THE ART OF KISSING

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shoulders under your arm. The reason for this is that the lips constitut\
e one of the main
erogenous zones of the body. The nerve ends in it are so sensitive that \
the slightest
contact with them sen
ds a pleasurable thrill immediately through the nervous system,
through the medulla portion of the brain, back through the nervous syste\
m again, through
branches which connect up with motor nerves, in this case the nerves tha\
t control the
sphyncter muscles of the mouth and lips, and the sexual glands which were mentioned
before.
In plain English, the kissee knows she is to be kissed.
Alright. You have subtly kissed the corner of her mouth. Don't hesitate.\
Push on further
to more pleasurable spots. Ahead of you lies that which had been promised in your
dreams, the tender, luscious lips of the girl you love. But don't sit id\
ly by and watch them
quivering.
Act!
Lift your lips away slightly, center them so that when you make contact \
there will be a
perfect union . Notice, only momentarily, the picture of her teeth in her lips. And, t\
hen,
like a sea -gull ' swooping gracefully down through the air, bring your lips down fi\
rmly
onto the lips of the girl who is quivering in; your arms.
Kiss her!
Kiss her as though, at that moment, nothing else exists in the world. Kiss her as though
your entire life is wrapped up into the period of the kiss. Kiss her as \
though there is
nothing else that you would rather be doing. Kiss her!
At this point, it is necessary for us to discus s a few subjects which are germane to the art
of kissing, particularly in so fir as they apply to what has just been d\
escribed. For
instance, there has been raised quite a full in regard to whether one sh\
ould close one's
eyes while kissing or while being k issed. Personally, I disagree with those who advise
closed eyes. To me, there is an additional thrill in seeing, before my e\
yes, the drama of
bliss and pleasure as it is played on the face of my beloved. I can see \
tiny wrinkles form
at the comers of her ey es, wrinkles of joy. I can see fleeting spasms of happiness flit
across her eyes. I can see these things and, in seeing them, my pleasura\
ble reactions to
the kiss are considerably heightened. In keeping my eyes open, I am givi\
ng pleasure not
to one sense a lone, the sense of touch, but to two senses, the senses of touch and of \
sight.
These two, coupled with the sense of smell which is actuated by the perf\
ume of her
breath, all combine to make the kiss an exquisite, ineffable epitome of \
unalloyed bliss.



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THE ART OF KISSING

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HO
W TO KISS GIRLS WITH DIFFERENT SIZES OF
MOUTHS
Another question which must be settled at this time concerns the size of\
the kissee's
mouth. A consideration of this factor is important. Where the girl's mou\
th is of the tiny,
rosebud type, then one need not worry about what to do. Merely follow the directions as
they were outlined above. However, there are many girls whose lips are b\
road and
generous', whose lips are on the order of Joan Crawford's, for instance.\
. The technique in
kissing such lips is differe nt.
Different Sizes of Mouths Require a Different Technique in Kissing