Romance Art Of Kissing | Page 3

We have ahead of us pleasurable reading of the bliss of the kiss. Now th\
at we have
learned why it is that men and women kiss, let us go into the methods us\
ed in. kissing so
as to derive the most sa tisfaction from this most soul -appeasing of pleasures.
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THE ART OF KISSING

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APPROVIED METHODS OF KISSING

The only kiss that counts is the one exchanged by two people who are in \
love with each
other. That is the first essential of the satisfying kiss. For a kiss is\
really the u nion of two
soul -mates who have come together because they were made for each other. The.\
reason
for this is that the kiss is really the introduction to love, true love.\
The kiss prepares the
participants for the love life of the future. It is the foundati on, the starting point of sexual
love. And it is for that reason that the manner in which the kiss is per\
formed is so vitally
important.
There are still young women extant who believe that babies are the resul\
t of kisses
Actually! this is a fact! And this condition exists because our parents, in the main, are
either ignorant of the methods of explaining sex to their children or ar\
e too embarrassed
to enlighten them. The result is that their children obtain their sexual\
information from
the streets and alley s or else remain ignorant of it and believe such things as was
mentioned above.
KISSES ARE BUT PRELUDES TO LOVE
Man and woman are born to love, marry and beget children. Woman is so ph\
ysically
constituted that she is the one who bears the child. Man, on th e other hand, is given the
duty of being the protector of his wife and, after they are born, of his\
children. Therefore,
he must always be the one who takes the initiative. He must be strong, h\
e must be
willing, he must be physically able to take care of h is charges, He must be the aggressor.
It is, therefore, necessary that the man be taller than the woman. The p\
sychological
reason for this is that he must always give the impression of being his \
woman's superior,
both mentally and especially physically. T he physical reason, with which we are more
concerned, is that if he is taller that his woman, he is better able to \
kiss her. He must be
able to sweep her into his strong arms, and tower 6ver her, and look dow\
n into her eyes,
and cup her chin in his fingers and 1 hen, bend over her face and plant his eager, virile
lips on her moist, slightly parted, inviting ones. All of this he must d\
o with the vigor of an
assertive male. And, all of these are impossible where. the woman is the\
taller of the -two.
For when t he situation is reversed, the kiss becomes only a ludicrous banality. Th\
e
physical mastery is gone, the male prerogative is gone, everything is go\
ne but the fact
that two lips are touching two other lips. Nothing can be more disappoin\
ting.
PREPARING FOR TH E KISS
A paragraph back, we mentioned that the woman's lips were slightly parte\
d when she
awaited the lips of her lover. There was a reason for using this descrip\
tion. Always, in
any sort of kiss, just before the male's lips settle onto the lips of hi\
s par tner, the female's
lips should be slightly parted. One reason for this is that cherry -red lips serve as a
charming frame for a row of gleaming, white, even teeth. The picture tha\
t confronts the
kisser is one that draws him onward. And even, months later, w hen he thinks back to the
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THE ART OF KISSING

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kiss in the retrospect, he will remember that pretty little picture of t\
he pearls of teeth
nestling in their frame of
-cherries.
The deliciousness of a long -remembered kiss was beautifully expressed in a poem 'called,
"Three Kisses ," in which occurred the verse:
I gently raised her sweet, pure face,
Her eyes with radiant, love sight filled.
That trembling kiss I'll ne'er forget
Which both our hearts with rapture filled.
Another reason for -parting the lips is that there is a definit e gratification the male obtains
from the delicious odor that emanates from his loved one's mouth. John S\
ecundus, in
describing a kiss,. said - that !& lover's kiss was like:
"... every